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Michael Dease: Grove's Groove

by Richard J Salvucci
The story of Michael Dease's journey from sax to trombone and back again is one any parent of a musically talented child could recognize. Dease started out as an alto saxophonist in middle school. Sometime later, he wanted to switch to the baritone sax. He worked at it. And worked at it some more. His combination of talent and practice paid off. Dease became something of a young monster on the horn, outplaying his senior bandmates in high school. But ...
Continue ReadingNeil Swainson Sextet: Here for a While

by Pierre Giroux
Neil Swainson's Here For A While is a tutorial in modern jazz composition and ensemble synergy. Swainson, a bassist of profound depth and melodic sensibility, has gathered a formidable sextet for this project, including Brad Turner on trumpet and flugelhorn, Kelly Jefferson on tenor andsoprano saxophones, Steve Davis on trombone, Renee Rosnes on piano and Quincy Davis on drums. Together, they bring to life nine compositions that are as intricate as they are engaging, each a testament to Swainson's skill ...
Continue ReadingOne for All: Big George

by Joshua Weiner
Smoke Sessions Records, based out of NYC's Smoke Jazz Club, has a fascinating recording model: artists play a few nights at the club, take a day off, and then go into a studio such as the famous Sear Sound to record their repertoire for release. They been putting out some excellent material, the latest of which is the first album in seven years from the sextet One for All. The title, Big George, reveals what sets this one apart from ...
Continue ReadingOne For All: Blueslike

by C. Andrew Hovan
As the timeworn adage goes, sometimes the best things come from situations where one is asked to function in less than ideal circumstances. When you have little time to analyze things and go with pure instincts, there's an air of veracity and spontaneity to the results that is seldom arrived at by any other means. Although the hard bop collective One For Allhas forged a shared identity through regular gigs and a growing catalog of recordings for several labels, including ...
Continue ReadingOne For All: Live at Smoke Vol.1

by C. Andrew Hovan
Aside from the musical fireworks that make the enclosed sides noteworthy, there are additional factors that mark Live at Smoke as a major event. For one thing, this on location" recording is one of the rare live dates to grace the Criss Cross catalog. Furthermore, it serves as a perfect summation up to this point of One For All's musical fortunes as heard in the same venue that fostered the ensemble's very formation. Back in the mid-'80s, drummer Joe Farnsworth, ...
Continue ReadingSteve Davis: Steve Davis Meets Hank Jones, Vol. 1

by Dave Linn
Trombonist Steve Davis was born in Worcester, MA, in 1967, and in 1989 graduated from Hartt School's Jackie McLean Institute. It was McLean's guidance and recommendation which allowed Davis to land his first major performance with Art Blakey in NYC. His lyrical, hard-swinging style gained him broad recognition and, in 1998, he won the TDWR (Rising Star) Trombone Category. He was later named in the top five of the Trombonist of the Year by The Jazz Journalist Association from 2010-2013, ...
Continue ReadingJoe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola

by John Kelman
It's one thing to have an established `place in the jazz pantheon, another to continue redefining that position, long after others might be content to rest on their laurels. Joe Chambers' work behind the drum kit with artists including Andrew Hill, Bobby Hutcherson, Wayne Shorter, Freddie Hubbard, Charles Mingus, and McCoy Tyner has already ensured a prominent place in jazz history. His output as a leader may be small, but he's delivered two outstanding Savant recordings in 2006's The Outlaw ...
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