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Jazz Articles about Steely Dan


About Steely Dan

808

Reassessing

Steely Dan: Aja

Read "Steely Dan: Aja" reviewed by Craig M. Cortello

by Craig M. Cortello

Steely Dan Aja MCA 1977

In the movie Mr. Holland's Opus, Richard Dreyfuss, playing a high school music director, recounts his childhood memory of first hearing a John Coltrane album. He recalls how he hated the music, but couldn't stop listening to it. He played the album over and over again until he appreciated every note--until he knew it would be an inspirational force in his life.Steely Dan's Aja was like Dreyfuss' ...

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358

Album Review

Steely Dan: Marian McPartland's Piano Jazz

Read "Marian McPartland's Piano Jazz" reviewed by John Kelman

by John Kelman

Purists may balk at the idea of piano legend Marian McPartland tarnishing the unadulterated nature of her NPR series, Marian McPartland's Piano Jazz--which has seen her interview and play with artists including Oscar Peterson, Bill Evans, Chick Corea, and many others--by inviting pianist/vocalist Donald Fagen and guitarist Walter Becker, more commonly known as the pop group Steely Dan, to the studio for conversation and performance.

But anyone who knows Steely Dan knows that, while it's unabashedly a pop group, it ...

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902

Extended Analysis

That Grand Dan Sound: Why Everyone Knows Steely Dan When They Hear Them

Read "That Grand Dan Sound: Why Everyone Knows Steely Dan When They Hear Them" reviewed by Eric Pettine

by Eric Pettine

Ok, so Miles Davis, Charles Mingus, Thelonious Monk and Dave Brubeck used them throughout the 1950s. In the 1960s and most of the 1970s, adventurous and ambitious horn-adorned groups like Chicago and Blood, Sweat and Tears also experimented successfully with them too. But we're talking cool chords (and their various permutations) here folks, not drugs. It's pretty much accepted by the general populace how great the writing/performing talents of, say, Billy Joel, Elton John and Paul McCartney are. ...

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279

Album Review

Steely Dan: Everything Must Go

Read "Everything Must Go" reviewed by C. Andrew Hovan

by C. Andrew Hovan

As sophisticated icons of contemporary pop music, Donald Fagen and Walter Becker have secured a space within the landscape of modern mainstream culture. Beginning with 1974’s Pretzel Logic, the pair would lead Steely Dan through a number of quintessential albums that featured a slick blending of pop and jazz sensibilities and even today songs like “Rikki Don’t Lose That Number,” “Black Friday,” and “Hey Nineteen” ring true for fans from multiple generations. And while at times they have been criticized ...

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306

Live Review

Steely Dan at Jones Beach

Read "Steely Dan at Jones Beach" reviewed by Mike Perciaccante

by Mike Perciaccante

Jones Beach Wantagh, New York August 22, 2003

Jones Beach was definitely abuzz for the first Steely Dan show in New York in quite some time. It was a decidedly older crowd filling the parking lot, tailgating and milling about while anxiously scanning the stage for a glimpse of Donald Fagen and/or Walter Becker. When Steely Dan took the stage the crowd seemed transported back in time to their youth. The applause was deafening and the ...

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343

Album Review

Steely Dan: Everything Must Go

Read "Everything Must Go" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Donald Fagen (lead vocals, synthesizers, Rhodes, organ and other keyboards) and Walter Becker (bass, guitar and vocals) seem to more solidly hit stride on this second album in their comeback. This follow-up to Two Against Nature (2000), the Dan's first new studio recording in twenty years, seems more naturally and tightly woven than their previous effort and makes Nature sound more like the necessary knocking off of rust (Yeah, some rust: Since the release of Nature, Steely Dan was inducted ...

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184

Album Review

Steely Dan: Two Against Nature

Read "Two Against Nature" reviewed by David Adler

by David Adler

It’s hard to know what to expect from a band after an absence of nearly two decades, but safe to say that this new batch of Steely Dan songs takes a little while to grow on the listener. Some just don’t work: “What a Shame About Me" tells a compelling tale but gets bogged down in the chorus; “Janie Runaway" and “Cousin Dupree" are plain annoying. But Becker & Fagen’s signature airtight funk is all over the record, and some ...

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