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Jazz Articles about Sara Serpa

Album Review

Sara Serpa: Close Up

Read "Close Up" reviewed by Alberto Bazzurro


Finalmente un album pienamente convincente della cantante portoghese (qui anche autrice di tutto il materiale tematico), spesso preziosa, nella sua produzione, ma altrove (anche all'interno di uno stesso lavoro, suo o altrui) un po' disarticolata, quasi schizoide, magari solo curiosa, e comunque alterna nella resa in concreto. Sarà senz'altro anche merito dei due musicisti che l'affiancano, fatto sta che questo suo ultimo album, live alla Pete's House di Brooklyn nel giugno 2017, convince senza arzigogoli o avvitamenti (critici, estetici) di ...

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Multiple Reviews

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto


Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott Sharp, Anthony Braxton, and Rudresh Mahanthappa, they have introduced world audiences to the talents of Rodrigo Amado, Luís Lopes, Dre Hočevar, Gard Nilssen, and ...

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Album Review

Sara Serpa: Close Up

Read "Close Up" reviewed by Jerome Wilson


Portuguese vocalist Sara Serpa has been a significant presence on the New York jazz scene for several years now, creating music with literary and artistic allusions in the company of renowned musicians like Ran Blake, Nicole Mitchell and Tyshawn Sorey. For her latest project she leads a trio that also features saxophonist Ingrid Laubrock and cellist Erik Friedlander. The music they make together, with Serpa often singing wordlessly, creates an airy tapestry of sound. On “Sol Enganador" Friedlander ...

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Album Review

Vadim Neselovskyi: Get Up And Go

Read "Get Up And Go" reviewed by Jerome Wilson


Ukrainian pianist Vadim Neselovskyi has an affecting, organic sound that draws more from classical and folk idioms than the usual jazz materials. It can range from fragile to overpowering and on this CD, it allows him to establish a strong, individual presence in the crowded piano trio field.On fast pieces like “On A Bicycle" and “Who Is It?" Neselovskyi's playing is busy and relentless and stays in close rapport with bassist Dan Loomis and drummer Ronen Itzik who ...

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Album Review

Vadim Neselovskyi Trio: Get Up And Go

Read "Get Up And Go" reviewed by Dan Bilawsky


In June of 2014, Pianist Vadim Neselovskyi was in his native Ukraine, eager and ready to bring his singular brand of energy to a crowd at that country's premier jazz gathering--the Alfa Jazz Fest. Minutes before his trio was set to take the stage, Neselovskyi learned that a Ukrainian military plane had been shot down by separatists. The audience he was due to perform for was in a downhearted state, reflective of the feeling(s) across the entire nation, and the ...

Album Review

Sara Serpa, André Matos: All the Dreams

Read "All the Dreams" reviewed by Alberto Bazzurro


Elegante, delicato, gradevole, ma anche edulcorato, epidermico, plastificato, sostanzialmente vacuo, oltre che veramente troppo ripetitivo: questo il ritratto che ci sentiremmo di trasmettere del secondo lavoro del duo portoghese composto da Sara Serpa, cantante (ma qui anche più o meno occasionale tastierista), già nota per opere in proprio e accanto a Ran Blake, soprattutto, e André Matos, chitarrista. La partenza, e di fatto tutta la prima quaterna di brani, indulge prevalentemente sui difetti del disco, sui tratti che ...

Album Review

Sara Serpa – Ran Blake: Aurora

Read "Aurora" reviewed by AAJ Italy Staff


Secondo album (dopo Camera Obscura, datato 2010) del duo composto dalla trentaquattrenne cantante di Lisbona e dal settantottenne pianista del Massachusetts, Aurora raccoglie i riflessi di una doppia seduta (dal vivo e in studio) tenutasi nella capitale portoghese nel maggio 2012. Il clima che lo contraddistingue è lieve, ora più colloquiale, ora più scarno, quasi scabro, giocato per lo più su tinte tenui e volumi ridotti, con rare impennate verso temperature più accese. Ci sono eleganza e coerenza espressiva, ma ...


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