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Jazz Articles about Santiago Leibson

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Album Review

Michael Attias: Quartet Music Vol I: LuMiSong & Vol II: Kardamon Fall

Read "Quartet Music Vol I: LuMiSong & Vol II: Kardamon Fall" reviewed by John Sharpe


Saxophonist Michaël Attias has impressed on the NYC scene for over three decades. He has recorded with Paul Motian, Anthony Braxton and Taylor Ho Bynum, while artists like Eric Revis, Anthony Coleman and Kris Davis have covered his compositions. But despite such recognition, Attias's discography undeservedly languishes in single figures. His decision to issue two volumes of quartet music, Lumisong and Kardamon Fall, available separately or together in a single package, represents the next step in his evolution ...

Album Review

Matt Pavolka: Disciplinary Architecture

Read "Disciplinary Architecture" reviewed by Vincenzo Roggero


Pur essendo da oltre vent'anni una presenza importante della scena newyorchese il bassista, trombonista, compositore Matt Pavolka ha pubblicato solo tre album a proprio nome: l'esordio di Something People Can Use (Toneofapitch, 2008), l'ottimo The Horns Band (FSNT,2014) e, a dieci anni di distanza, questo Disciplinary Architecture per la prestigiosa Sunnyside. Se nell'album precedente a farla da padrone erano naturalmente i fiati, e che fiati (Kirk Knuffke alla cornetta, Loren Stillman al sax alto, Jacob Garchik al ...

4
Album Review

Elsa Nilsson: Atlas Of Sound - Quila Quina

Read "Atlas Of Sound - Quila Quina" reviewed by Mike Jurkovic


Imagine someone coming up to you selflessly offering the gift of time--time to step away from the struggle; to hold a baby high--and that someone is flautist/composer Elsa Nilssonand she is playing her most translucent aria, “The Wind From The North Comes From The West" Some human endeavors are simply more beautiful than others. Nilsson, an active member of the downtown creatives and recipient of the 2022 Chamber Music America New Jazz Works Grant stands alongside ...

7
Album Review

Stephen Gauci / Santiago Leibson / Ken Filiano / Vinnie Sperrazza: Live At Scholes Street Studio

Read "Live At Scholes Street Studio" reviewed by John Sharpe


On another missive from the bleeding edge, tenor saxophonist Stephen Gauci further documents his fertile alliances in Brooklyn. In a quartet alongside the reedman are Argentinean pianist Santiago Leibson, veteran bassist Ken Filiano and drummer Vinnie Sperrazza. Gauci's signature blend from the further reaches of the saxophone--stretching from caustic upper register to burly bottom end--remains a central feature. But on the two off-the-wall pieces, one broaching the half hour mark, the other just over 20 minutes, he promotes an ensemble ...

6
Album Review

Michael Sarian: Live at Cliff Bell's

Read "Live at Cliff Bell's" reviewed by Richard J Salvucci


This is music for the adventurous, especially those with the ears to deal with unusual harmonies. Michael Sarian is a now-Canadian trumpet player in the mold of Enrico Rava. His gift is his sound: dark, burnished, probing, even tentative at times. He is fond of half-valve expeditions into the upper register, which, if executed properly, can smear a tone between a squeal and a shriek. It is more than appropriate for the sort of music he plays, insinuating and beguiling, ...

9
Album Review

Michael Sarian: Live at Cliff Bell's

Read "Live at Cliff Bell's" reviewed by Dan Bilawsky


On March 30, 2023, Michael Sarian rolled into Detroit landmark Cliff Bell's with horn in hand. In the midst of a spring tour, that particular venue and evening provided an opportunity for the trumpeter and his bandmates--pianist Santiago Leibson, bassist Marty Kenney and drummer Nathan Ellman-Bell--to do what they do best. Working through new material and strong selections from previous studio albums, this outfit delivered the goods with coiled intensity, some sturm-und-drang sophistication, open ears, sensitivity and melodic mindset. And ...

58
Album Review

Matt Pavolka: Disciplinary Architecture

Read "Disciplinary Architecture" reviewed by Glenn Astarita


Matt Pavolka, a seasoned bassist and composer, has carved a distinct niche in the New York jazz scene for over two decades. Initially focused on trombone (studying under the legendary David Baker), Pavolka's path took a sharp turn at Berklee College of Music. There, he switched to bass and blossomed as a composer, earning accolades for both performance and composition. His latest offering, Disciplinary Architecture, is a record brimming with ambition and a unique sonic atmosphere. The album ...


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