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David Maranha / Rodrigo Amado: Wrecks

by Mark Corroto
There was a children's television show that aired every Saturday morning in the 1960s where the host faced the camera while holding up a looking glass. He would say something to this effect: Hello friends, today I see Billy, Allison, Teddy, etc." Those watching thrilled to hear their name or the name of a sibling or friend. In some eerie way, viewers might have the same reaction listening to Wrecks by the Portuguese duo of saxophonist Rodrigo Amado and electric ...
Continue ReadingRodrigo Amado The Bridge: Beyond The Margins

by John Sharpe
The Bridge may be one of the most potent all round units assembled by Portuguese tenor saxophonist Rodrigo Amado. That is saying something considering his previous alliances with collaborators as varied as multi-instrumentalist Joe McPhee, trumpeter Peter Evans, trombonist Jeb Bishop and drummer Chris Corsano. This time out his partners read like an extract from an international free jazz who's who: German pianist Alexander von Schlippenbach, American drummer Gerry Hemingway and Norwegian bassist Ingebrigt Håker Flaten. Beyond ...
Continue ReadingRodrigo Amado: Beyond The Margins

by Troy Dostert
The aptly titled Beyond the Margins is just the latest entry in tenor saxophonist Rodrigo Amado's burgeoning catalog, and it is certainly further proof that Amado is among the most exciting and accomplished practitioners of free music in the jazz world. Each new release seems to allow him to hone his craft with ever-greater precision, and with an even wider range of emotional resonances. And with a line-up of free jazz veterans that includes pianist Alexander von Schlippenbach, bassist Ingebrigt ...
Continue ReadingRodrigo Amado / The Bridge: Beyond The Margins

by Mark Corroto
You might think saxophonist Rodrigo Amado's quartet The Bridge is an allusion to Sonny Rollins' performing and recording hiatus between 1959 and 1961. One spent practicing on the Williamsburg Bridge which links Manhattan and Brooklyn. Besides the name, Amado's previous release, Refraction Solo Live At Church Of The Holy Ghost (Trost, 2022), his first unaccompanied recording, draws inspiration from Rollins' sound and references some of the great man's music. More likely, Amado's bridge is the span linking the ...
Continue ReadingThe AtticRodrigo Amado / Gonçalo Almeida / Onno Govaert: Love Ghosts

by John Sharpe
Portuguese tenor saxophonist Rodrigo Amado has steadily become one of the premier players in the European free jazz arena, having banked the experience that comes through working with the likes of multi-instrumentalist Joe McPhee, trumpeter Peter Evans and pianist Alexander von Schlippenbach, reaping a rich dividend. Just how can be readily heard on Love Ghosts, the third release by the co-operative trio The Attic, where he is joined by fellow countryman bassist Gonçalo Almeida and Dutch drummer Onno Govaert, a ...
Continue ReadingRodrigo Amado: Refraction Solo

by Mark Corroto
Are you familiar with Pablo Picasso's found art sculpture Bull's Head"? It was created in 1942 from bicycle handlebars and a bike's saddle. Picasso was walking down the street and spotted the discarded items, and in a flash joined the two, creating an obvious depiction of a bull's head. That same spontaneous moment of creation informs the music from Rodrigo Amado's Refraction Solo. Like Picasso, the musician is a trained and highly skilled artist. Amado leads or is ...
Continue ReadingThe Attic: Love Ghosts

by Troy Dostert
Portuguese tenor saxophonist Rodrigo Amado maintains a busy recording schedule, involving dates with heavy-hitters like Joe McPhee, Alexander von Schlippenbach and Peter Evans, in addition to his own lineups, which do not always generate the same kind of buzz. One of his relatively under-recognized groups is The Attic, an outfit which includes bassist Gonçalo Almeida and drummer Onno Govaert. Their Summer Bummer (NoBusiness, 2019) was a superb live recording, putting the focus squarely on Amado, who is an excellent colleague ...
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