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Rodrigo Amado: La Grande Crue
by John Sharpe
Inviting guests to supplement his core bands has proven a winning formula for Portuguese saxophonist Rodrigo Amado in the past, and the gambit bears fruit again on La Grande Crue. This time out, French pianist Eve Risser is the plus one, following in the footsteps of trombonist Jeb Bishop, trumpeter Peter Evans and pianist Alexander von Schlippenbach. She joins the outfit known as The Attic, completed by Amado's countryman bassist Gonçalo Almeida and Dutch drummer Onno Govaert. Amado's ...
Continue ReadingThe Attic & Eve Risser: La Grande Crue
by Troy Dostert
While it is always challenging to keep up with the prolific output of saxophonist Rodrigo Amado, one consistently sure bet is his Attic trio, which has been a working ensemble since at least 2017, with a series of stellar recordings that have helped stake Amado's claim as one of the premier free improvisers of his generation. Accompanied by drummer Onno Govaert and bassist Gonçalo Almeida, who joined the trio on its sophomore release, Summer Bummer (NoBusiness, 2019), Amado navigates his ...
Continue ReadingThe Attic & Eve Risser: La Grande Crue
by Glenn Astarita
The Attic & Eve Risser's La Grande Crue is a multi-directional ride through the world of free jazz, featuring the talents of Rodrigo Amado on tenor saxophone, Gonçalo Almeida on bass, Onno Govaert on drums and French pianist Eve Risser. The Attic, renowned for its intuitive and spontaneous style, welcomes Risser into its musical ecosystem, crafting a dynamic and provocative album that unfolds across four extended works. The album commences with “Corps," a track anchored by a somber ...
Continue ReadingDavid Maranha / Rodrigo Amado: Wrecks
by Mark Corroto
There was a children's television show that aired every Saturday morning in the 1960s where the host faced the camera while holding up a looking glass. He would say something to this effect: “Hello friends, today I see Billy, Allison, Teddy, etc." Those watching thrilled to hear their name or the name of a sibling or friend. In some eerie way, viewers might have the same reaction listening to Wrecks by the Portuguese duo of saxophonist Rodrigo Amado and electric ...
Continue ReadingRodrigo Amado The Bridge: Beyond The Margins
by John Sharpe
The Bridge may be one of the most potent all round units assembled by Portuguese tenor saxophonist Rodrigo Amado. That is saying something considering his previous alliances with collaborators as varied as multi-instrumentalist Joe McPhee, trumpeter Peter Evans, trombonist Jeb Bishop and drummer Chris Corsano. This time out his partners read like an extract from an international free jazz who's who: German pianist Alexander von Schlippenbach, American drummer Gerry Hemingway and Norwegian bassist Ingebrigt Håker Flaten. Beyond ...
Continue ReadingRodrigo Amado: Beyond The Margins
by Troy Dostert
The aptly titled Beyond the Margins is just the latest entry in tenor saxophonist Rodrigo Amado's burgeoning catalog, and it is certainly further proof that Amado is among the most exciting and accomplished practitioners of free music in the jazz world. Each new release seems to allow him to hone his craft with ever-greater precision, and with an even wider range of emotional resonances. And with a line-up of free jazz veterans that includes pianist Alexander von Schlippenbach, bassist Ingebrigt ...
Continue ReadingRodrigo Amado / The Bridge: Beyond The Margins
by Mark Corroto
You might think saxophonist Rodrigo Amado's quartet The Bridge is an allusion to Sonny Rollins' performing and recording hiatus between 1959 and 1961. One spent practicing on the Williamsburg Bridge which links Manhattan and Brooklyn. Besides the name, Amado's previous release, Refraction Solo Live At Church Of The Holy Ghost (Trost, 2022), his first unaccompanied recording, draws inspiration from Rollins' sound and references some of the great man's music. More likely, Amado's bridge is the span linking the ...
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