Jazz Articles about Rodney Whitaker

About Rodney Whitaker

Album Review

Judging from recent album releases, the guitar remains an essential part of the contemporary jazz scene. The latest example among many is this tasteful session led by Kansas-born, Michigan-based Nathan Borton, adding his name to an ample roster of newly minted guitar-led or guitar-centered albums by Doug MacDonald, Graham Dechter, Kristian Borring, Randy Napoleon, John Moulder, Hendrik Braeckman, Paul Bollenback, Matt Dingledine and others. What does Borton have that they may not? When it comes to technique and perception—that is, ...

Album Review

Nathan Borton: Each Step

Read "Each Step" reviewed by Dan McClenaghan

by Dan McClenaghan
January 12, 2022

The 1960s were fine and formative times for jazz guitar. Wes Montgomery was there. So was Grant Green. The pair led the pack, and still do, to an extent. Guitarist Nathan Borton, with his debut recording, Each Step, embraces the traditions of these two influences. Borton's sound comes directly out of the straight ahead bebop style, beginning with the album's title tune, a Borton original--a gorgeous easy swinger. Cole Porter's oft-covered “Just One Of Those Things" turns up ...

Album Review

Randy Napoleon: Rust Belt Roots: Randy Napoleon Plays Wes Montgomery, Grant Green & Kenny Burrell

Read "Rust Belt Roots: Randy Napoleon Plays Wes Montgomery, Grant Green & Kenny Burrell" reviewed by Jack Bowers

by Jack Bowers
November 3, 2021

One's response to jazz--indeed, to music of any kind--most often depends on where he or she is coming from. To erase any doubts about where he is coming from, guitarist Randy Napoleon has subtitled his album, Rust Belt Roots, “Plays Wes Montgomery, Grant Green and Kenny Burrell." This is music born of a Midwestern ethos: Indianapolis (Montgomery), St. Louis (Green), Detroit (Burrell). Napoleon called Michigan home before moving to New York City in 1999, and has never forgotten the enormous ...

Album Review

Tim Mayer: Keeper of the Flame

Read "Keeper of the Flame" reviewed by Jack Bowers

by Jack Bowers
June 12, 2021

On Keeper of the Flame, Tim Mayer, a Bostonian who now calls Mexico home, leads a sharp, swinging group of like-minded amigos on a (mostly) octet studio date enriched by Diego Rivera's colorful arrangements. Mayer plays tenor sax on half a dozen tracks, soprano sax on “Bye Bye Blackbird" and “Get Organized," alto flute on “Elusive." Mayer's tenor spans a bridge from early John Coltrane to George Coleman, Joe Henderson, Bob Mintzer and other post-bop patriarchs with a dash of ...

Album Review

Rodney Whitaker: Outrospection: The Music of Gregg Hill

Read "Outrospection: The Music of Gregg Hill" reviewed by Paul Rauch

by Paul Rauch
May 8, 2021

Bassist Rodney Whitaker grew out of the Detroit jazz tradition, paying dues along the way on the road with the likes of Terence Blanchard, Roy Hargrove, Wynton Marsalis and Kenny Garrett. His hard-driving style personifies modern post-bop jazz, with his dedication to tradition acting as a catalyst rather than a deterrent from innovation. On Outrospection, Whitaker continues his work with under-the-radar, Michigan composer Gregg Hill. The two first collaborated on Whitaker's Common Ground: The Music of Gregg Hill ...

Album Review

Rodney Whitaker with the Christ Church Cranbrook Choir: Cranbrook Christmas Jazz

Read "Cranbrook Christmas Jazz" reviewed by Troy Dostert

by Troy Dostert
January 15, 2021

Bassist Rodney Whitaker has been a huge presence in Michigan jazz for decades, with his leadership of the Michigan State University jazz program complementing his many other projects and giving him the opportunity to mentor upcoming generations of jazz talent. He has become a crucial ambassador for the music as well, with community outreach being a critical aspect of his mission. One of his most essential endeavors has been his status since 2015 as Artist in Residence at Christ Church ...

Album Review

Sencalar/Glassman Quintet: Realization

Read "Realization" reviewed by Hrayr Attarian

by Hrayr Attarian
April 13, 2020

Altin Sencalar and Chris Glassman were classmates in graduate school at Michigan State University (MSU) where they were both trombonist MIchael Dease's proteges. When they decided to release their debut, the exciting Realization, their mentor produced the record, contributed a tune and made a guest appearance on the opening track. For this bop-based session Sencalar and Glassman recruited a band of both up-and-coming and established musicians. The result is a very cohesive quintet/sextet which effortlessly, and with supreme ...