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Nanami Haruta: The Vibe
by Dan McClenaghan
The news of a trombonist fronting a small jazz ensemble brings the name J.J. Johnson (1924-2001) to mind. He pioneered that form of jazz expression. Before he stepped onto the scene the big brass horn stayed mainly in the background, eclipsed by trumpets and saxophones. Many have followed in Johnson's footsteps: Curtis Fuller, Steve Turre, Michael Dease. The door opened, and a slew of talent stepped across the threshold. This brings us to Nanami Haruta, who ...
Continue ReadingNanami Haruta: The Vibe
by Willard Jenkins
Unlike other members of the family of western instruments, the ranks of the trombone are a bit exclusive--perhaps even more exclusive in the art of the improvisers, the jazz landscape. Which is yet more reason to celebrate the arrival of a new trombone voice in jazz music. Her name is Nanami Haruta and she arrives at this debut recording moment from Sapporo in the Hokkaido prefecture, the northernmost of Japan's main islands. Hokkaido is known for its volcanoes--perhaps explaining Nanami's ...
Continue ReadingUSAF Airmen of Note: Aim High/The 2024 Jazz Heritage Series
by Jack Bowers
Aim High, recorded as part of the 2024 Jazz Heritage Series, is the forty-sixth album by the U.S. armed services' premier jazz ensemble, the Airmen of Note, founded in 1950 to honor the tradition of Major Glenn Miller's Army Air Corps dance band, which entertained the troops during World War II until Miller's untimely death in 1944. Those who have heard no more than one of those recordings would no doubt agree that any accolades aimed at the AON have ...
Continue ReadingMichael Dease: Grove's Groove
by Richard J Salvucci
The story of Michael Dease's journey from sax to trombone and back again is one any parent of a musically talented child could recognize. Dease started out as an alto saxophonist in middle school. Sometime later, he wanted to switch to the baritone sax. He worked at it. And worked at it some more. His combination of talent and practice paid off. Dease became something of a young monster on the horn, outplaying his senior bandmates in high school. But ...
Continue ReadingJordan VanHemert: Deep in the Soil
by Jack Bowers
Energy and enthusiasm fairly leap from the speakers--or headphones--on Sharel Cassity's daring “Call to Order," the opening number on Korean-born saxophonist Jordan VanHemert's fifth album as leader, Deep in the Soil. Alas, that same ardor doesn't reappear until track seven (of eight), trombonist Michael Dease's boppish “ST in the House." In between, VanHemert and his companions (group sizes vary from sextet to duo) offer some agreeable music but nothing that approaches the ebullience or cogency of the themes already named. ...
Continue ReadingJordan VanHemert: Deep in the Soil
by C. Andrew Hovan
Born in Korea and raised in Michigan, Jordan VanHemert counts himself among those youngsters that got involved in his school music program by starting out on the alto saxophone. Also like many of his fellow saxophonists, VanHemert eventually moved away from the smaller horn to devote his full energies to the tenor sax, an instrument emblematic of the jazz heritage. “In my formative years, I was almost exclusively an alto saxophonist," VanHemert explained from his current home base in Oklahoma. ...
Continue ReadingRandy Napoleon: The Door is Open: The Music of Gregg Hill
by Paul Rauch
In and around the formidable jazz studies program at Michigan State University is a plethora of jazz talent devoted to instrumental and compositional excellence. Most of this talent is young, benefiting from a wide array of world-class instructors that includes program director Rodney Whitaker and veteran guitarist Randy Napoleon, among other notables. Within this labyrinth of jazz wisdom in the Detroit / Lansing metroplex is composer Gregg Hill, a former truck driver and tech entrepreneur whose performing ambitions were superseded ...
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