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Jazz Articles about Roberta Piket

417
Extended Analysis

Roberta Piket: Sides, Colors

Read "Roberta Piket: Sides, Colors" reviewed by Victor L. Schermer


Roberta Piket Sides, ColorsThirteenth Note Records2011 Roberta Piket is a pianist with rich musical abilities who is making a name for herself as one of the best of her generation of keyboard players. Her 2011 release, Sides, Colors is a well-conceived recording, using her trio supplemented by strings and horns in a potpourri of originals and standards. It was realized in a creative manner, embodying several interesting ideas. First, it was recorded in ...

527
Interview

Roberta Piket: Making a Difference

Read "Roberta Piket: Making a Difference" reviewed by Victor L. Schermer


Roberta Piket is a jazz pianist, composer, and arranger with an exceptional range of expression. In the same tune or performance, she moves fluidly between bebop, hard bop, blues, soft and mellow, up-tempo, contrapuntal, and advanced harmonic motifs, making it all come together in meaningful, coherent statements of ideas and emotions. She thinks hard when she plays, “with big ears," as Dave Liebman once said, and a sense of story. She is a truly contemporary player, pushing the envelope. Among ...

151
Album Review

Roberta Piket: Sides, Colors

Read "Sides, Colors" reviewed by Wilbert Sostre


Some people describe music in terms of colors. Composers like Duke Ellington used them in song titles like “Black, Brown And Beige," “Black And Tan Fantasy" and “Mood Indigo," to describe the mood and feeling of his music, Sides, Colors is a perfect title for this release by pianist Roberta Piket, as she demonstrates her different musical sides and colors. Piket shows her classical, lyrical side on “Billy's Ballad" and Bill Evans “Laurie," while the classical feel ...

182
Album Review

Roberta Piket: Sides, Colors

Read "Sides, Colors" reviewed by Dan McClenaghan


Back in earlier days, when the vinyl, 33 RPM long playing record was the way to listen to music, Roberta Piket's Sides, Colors would have been released as a double disc, with its generous seventy-six minutes of music and two distinctly different moods. After her beautiful piano trio outing, Love and Beauty (Thirteenth Note Records, 2007), Piket now spreads her wings with the subtle addition of strings and horns to her trio 's sound.The first half of the ...

127
Album Review

Roberta Piket Trio: Love and Beauty

Read "Love and Beauty" reviewed by Marcia Hillman


Pianist Roberta Piket likes to push the envelope a little, which makes Love and Beauty an interesting adventure. Piket is joined by her usual cohorts--bassist Ratzo Harris and drummer Billy Mintz--in this offering of original material and two standards. Things begin with Piket's “I'm My Everything (loosely based on Harry Warren's “You're My Everything ), a piece that shows off her skill with a contrapuntal element as well as Mintz's right-on drum work. Another original, “For Uncle ...

178
Album Review

Roberta Piket Trio: Love and Beauty

Read "Love and Beauty" reviewed by Dan McClenaghan


Sitting in the middle of an interactive trio, pianist/composer Roberta Piket unplugs herself from her Alternating Current and delves deep into acoustic piano trio mode on Love and Beauty. Joined by bassist Billy Mintz and drummer Ratzo Harris, the set explores, by turns, lyrical loveliness, gentle loving affection, and sharp-edged abstraction with an old fashioned straight-at-you intensity underlain by a good deal of implacable momentum.The disc opens with the Piket-penned “I'm My Everything," a tune that sounds as ...

126
Album Review

Roberta Piket & Alternating Current: I'm Back in Therapy and It's All Your Fault

Read "I'm Back in Therapy and It's All Your Fault" reviewed by Dan McClenaghan


Piano Lady Roberta Piket is looking quite cool, a little bit saucy, on the cover of her new CD... sunglasses and a hot pink sleeveless blouse, hips cocked, hands planted thereon, head tilted at a “you got a problem" angle. And then there's the title: I'm Back in Therapy and It's All Your Fault. That leads one to believe she's working a bit tongue in cheek, that the music here may play around with the whimsical side of song. But ...


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