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Jazz Articles about Piet Verbist

16
Album Review

John Bishop / Bram Weijters / Piet Verbist: Antwerp

Read "Antwerp" reviewed by Dan McClenaghan


Drummer John Bishop, the guy who runs Seattle's Origin Records, does not often put out records under his own name. There was Nothing If Not Something (Origin Records) in 2005, review here, and then nothing until the disc at hand, 2023's Antwerp. Not that Bishop has avoided the recording studio. He is, as a sideman, in fact quite prolific, sitting in on Hal Galper's string of rubato-style piano trio sets--one example: Trip the Light Fantastic (Origin Records, 2011), review here, ...

34
Album Review

Piet Verbist: Secret Exit to Another Dimension

Read "Secret Exit to Another Dimension" reviewed by Jack Bowers


In spite of its rather intriguing title (and those of several of its selections), Secret Exit to Another Dimension, by Belgian bassist Piet Verbist's well-schooled trio, consists for the most part of the sort of gentle, heartwarming jazz one might hear on a given evening in any number of upscale nightspots around the world. In fact, if guitarist Hendrik Braeckman were to be replaced by pianist Tamir Hendelman, Verbist's threesome might sound remarkably akin to the superlative Jeff Hamilton Trio, ...

8
Album Review

Piet Verbist: Secret Exit to Another Dimension

Read "Secret Exit to Another Dimension" reviewed by Dan McClenaghan


Belgian bassist Piet Verbist has featured saxophonists on each of his previous Origin Records albums—bass, drums and a horn or two seems to be his way of working. With Secret Exit To Another Dimension, his fifth Origin outing, he pares things down to the trio format, creating a distinctive guitar/bass/drums sound that has a strikingly modern feel. It has become cliche to say—especially when speaking of trio of bass and drums with a piano or guitar—that the group ...

67
Extended Analysis

Piet Verbist: Zygomatik

Read "Piet Verbist: Zygomatik" reviewed by Dave Sumner


Piet VerbistZygomatikOrigin Records2012Zygomatik has the fiery groove of classic hard bop, but it's not that simple. There is a rock attitude to this album, and it's got a Motown sway. This is the kind of album that can be pointed to as a celebration of jazz and an album that will be liked by people for whom jazz really ain't their thing. It's an album with complex elements and modulating sounds, but ...


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