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Grant Stewart: Rise and Shine
by C. Andrew Hovan
Over the past twenty-five years, the jazz world has seen its share of stylistic ups and downs. Often changing with chameleon-like character, the music's popularity has come and gone based on the trends of the time and the success of musicians capable of connecting with broader audiences beyond the established cognoscenti. In looking back at the year 1992, when Grant Stewart's debut release Downtown Sounds hit the streets, the range of material being offered by his peers spanned from Uri ...
Continue Reading...Jim Snidero: Far Far Away
by Dan McClenaghan
Alto saxophonist Jim Snidero had quite a year in 2021, with the re-release of his masterpiece, Strings (Savant), originally released in 2001, and the release of another masterful set, Live At Deer Head Inn (Savant). In 2022 he decided to keep a good thing going, inviting his Deer Head rhythm section--pianist Orrin Evans, bassist Peter Washington, with Joe Farnsworth back in the drummer's seat--into the studio, along with guitarist Kurt Rosenwinkel, for an inspired set of bop and post-bop tunes, ...
Continue Reading...Spike Wilner Trio: Plays Monk & Ellington
by Pierre Giroux
There have probably not been two more disparate individuals in jazz than the pianists Duke Ellington and Thelonious Monk. Ellington was a florid individual in all aspects of his life, with his speaking style, his sartorial choices, and his compositions which were informed by ever-growing inspirational sources. In contrast, Monk was introverted and generally uncommunicative; his compositional style was linear and succinct, and he was generally more comfortable playing his own material. Pianist Spike Wilner, who had great admiration for ...
Continue Reading...Spike Wilner Trio: Plays Monk & Ellington
by Jack Bowers
Not to mince words, this is a splendid album by New York-based pianist Spike Wilner and his trio, recorded in January 2022 at GP's Juke Joint, which must double as a recording studio, as there is no audience. No matter the venue, it is difficult to wander too far astray when playing the music of Thelonious Monk and Duke Ellington, even though the album could have been called Plays Monk & Ellington & Strayhorn as the last two numbers, U.M.M.G." ...
Continue Reading...Patty Lomuscio: Star Crossed Lovers
by Paul Beard
The Italian singer Patty Lomuscio had long dreamed of making an album in New York with pianist Kenny Barron. Now she has done so. Alongside Barron is drummer Joe Farnsworth, bassist Peter Washington and Vincent Herring on alto saxophone. The title track, comes across really well. Lomuscio's talents start to shine through and then with the next offering, This Can't Be Love," it becomes obvious that a certain British Dame has influenced this Mediterranean songstress: her scatting is ...
Continue Reading...Adam Shulman: Just The Contrafacts
by Pierre Giroux
For those who may be scratching their heads about the word contrafact, in the jazz medium it designates a musical composition in which a new melody is overlaid on a familiar harmonic structure. This form really became prominent in the bebop era, where the artists (who were generally short of financial resources) could create new compositions over which they could improvise and record without worrying about paying royalties for copyrighted materials. During the depths of the ...
Continue Reading...Jim Snidero: Live at the Deer Head Inn
by Jack Bowers
Any short list of the finest alto saxophonists playing today must include the name Jim Snidero who has been a force to reckon with on the New York City jazz scene for almost four decades. Snidero earns high marks on his latest album not only for his typically sharp and fluent improvisations but also for his resourcefulness in assembling a quartet to perform Live at the Deer Head Inn in Delaware Gap, PA, during a devastating coronavirus pandemic. The recording ...
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