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About Peter Washington

Album Review

Jim Snidero: For All We Know

Read "For All We Know" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Jim Snidero, californiano, sessantasei anni, collaborazioni che vanno da Tom Harrell a Frank Sinatra, è senza dubbio alcuno uno dei massimi paladini del mainstream jazz fin dai secondi anni Ottanta. Questo suo nuovo lavoro, inciso nell'ottobre 2023 nella tutto sommato singolare (nonché stimolante) formazione del trio senza pianoforte (o chitarra che sia), conferma appieno tale assioma, navigando su temi anche fra i più noti della letteratura jazzistica (nessun original), affrontati col giusto piglio e un'assoluta padronanza lessicale. ...

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43

Album Review

Jeff Rupert: It Gets Better

Read "It Gets Better" reviewed by Jack Bowers

by Jack Bowers

Florida-based tenor saxophonist Jeff Rupert leads a superlative quartet on It Gets Better, a graceful and charming album recorded September 2021 at the renowned Van Gelder Studio in New Jersey. While comparisons to other musicians are as a rule less than viable, the striking similarities between Rupert and the late jazz giant Stan Getz cannot simply be overlooked or ignored. As John Coltrane once said of Getz, “We'd all sound like that if we could." Not only can Rupert sound ...

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Album Review

Ken Peplowski: Unheard Bird

Read "Unheard Bird" reviewed by Jack Bowers

by Jack Bowers

Even when the recording (in this case, two) is a classic--as, for example, Charlie Parker's memorable Bird with Strings (Mercury Records, 1950)--some songs that deserve better are necessarily left on the cutting-room floor. Some may see that as disappointing, while others--like reed specialist Ken Peplowski--embrace it as an opportunity. On Unheard Bird, Peplowski--with strings and a core quartet--presents a series of fourteen generally likable themes, most of which were destined for Parker's album but were somehow passed over, and three ...

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4

Album Review

John Lee: Second Wind

Read "Second Wind" reviewed by Pierre Giroux

by Pierre Giroux

Second Wind, which, as the title indicates, is John Lee's sophomore recording, is a vivid example of the art of the trio featuring the estimable rhythm section Peter Washington on bass and Kenny Washington on drums. It had long been Lee's dream to play with these two legends and the result is a collection of favourites and some new material that swings with both vigour and subtle intimacy. The opening track is “It's A Blue World," ...

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Album Review

Charles Chen: Charles, Play!

Read "Charles, Play!" reviewed by Jack Bowers

by Jack Bowers

Pianist Charles Chen makes his recorded debut and confidently answers the command on Charles, Play!, a splendid quartet date on which he is ably supported by veteran tenor saxophonist Ralph Moore and the peerless rhythmic tandem of bassist Peter Washington and drummer Kenny Washington. Chen wrote four of the album's nine engaging numbers and had the good sense to pair them with three pleasurable standards and tantalizing originals by Charlie Parker ("Passport") and Cedar Walton (the closing ...

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11

Liner Notes

One For All: Blueslike

Read "One For All: Blueslike" reviewed by C. Andrew Hovan

by C. Andrew Hovan

As the timeworn adage goes, sometimes the best things come from situations where one is asked to function in less than ideal circumstances. When you have little time to analyze things and go with pure instincts, there's an air of veracity and spontaneity to the results that is seldom arrived at by any other means. Although the hard bop collective One For Allhas forged a shared identity through regular gigs and a growing catalog of recordings for several labels, including ...

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12

Liner Notes

One For All: Live at Smoke Vol.1

Read "One For All: Live at Smoke Vol.1" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Aside from the musical fireworks that make the enclosed sides noteworthy, there are additional factors that mark Live at Smoke as a major event. For one thing, this “on location" recording is one of the rare live dates to grace the Criss Cross catalog. Furthermore, it serves as a perfect summation up to this point of One For All's musical fortunes as heard in the same venue that fostered the ensemble's very formation. Back in the mid-'80s, drummer Joe Farnsworth, ...

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