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A Conversation with Peter Bernstein
by David Bixler
The week of March 5 guitarist Peter Bernstein brings a quartet to the Village Vanguard in New York City that includes pianist Sullivan Fortner, bassist Doug Weiss, and the iconic drummer Al Foster. In this episode of LINER NOTES Peter expresses a genuine gratitude for being able to play music. He also offers insights on how he personally approaches this music as a guitarist, sharing valuable lessons learned from his legendary teachers Gene Bertoncini, Ted Dunbar, and Jim Hall.
Continue ReadingMike LeDonne: Wonderful!
by Pierre Giroux
In jazz's rich tapestry, where tradition meets innovations, there emerged a convergence exemplified by the present release Wonderful! with the virtuosic Mike LeDonne's Groover Quartet + Gospel Choir, who embark on a transcendent journey into the heart of gospel- infused jazz. The project is informed by LeDonne's desire to offer a heartfelt tribute to his wife Margaret and daughter Mary to showcase the spirited and varied nature of the disability community. Participating in this harmonious affair are the long-time members ...
Continue ReadingJudy Niemack: What's Love?
by Angelo Leonardi
Potrebbe non essere gentile iniziare questa recensione ricordando l'età della signora Niemack ma per un'artista ancora così attrattiva ed efficace, l'imminenza dei settant'anni non rappresenta un problema. La cantante californiana mantiene la sua cifra espressiva, aggiungendo nuove ombreggiature vocali e un incedere più intimo e colloquiale, come evidenzia in questo disco. Come altri recenti progetti il lavoro ha subito un arresto per le restrizioni sociali della pandemia che ha fatto saltare la presentazione al Village Vanguard tre ...
Continue ReadingJoe Magnarelli: Hoop Dreams
by C. Andrew Hovan
As Duke Ellington would often remind us, music comes in two varieties, that which is good and that which is bad. This suggests that genre and category are really of little concern and that overall quality is really the defining factor in considering the validity of any musical expression. Taking this axiom one step further, let me suggest that good music comes in assorted varieties. On one end of the spectrum you have music brimming with complex structures and technical ...
Continue ReadingBrad Turner Quintet: The Magnificent
by Jack Bowers
If the title of Canadian trumpeter Brad Turner's latest album, The Magnificent, sounds a trifle self-absorbed, rest assured it does not refer to him but to another “magnificent" horn player, the late Thad Jones. The honorific, however, would not be unwisely used if applied to Turner himself, who not only excels on the trumpet but also plays tasteful piano and wrote every one of the album's generally engaging themes. Although the group is listed on the album ...
Continue ReadingBrad Turner Quintet: The Magnificent
by Pierre Giroux
Brad Turner's album The Magnificent is a sonic gem on which he invites listeners on a musical journey which effortlessly balances tradition and innovation. Comprising a wish-list of stellar musicians, including guitarist Peter Bernstein, bassist Neil Swainson, drummer Quincy Davis and, on four tracks, tenor saxophonist Cory Weeds, the band gathered together to record a session to breathe life into nine Turner compositions. The opening track is “You're OK," in which Turner's trumpet takes center stage ...
Continue ReadingBenny Benack III: Third Time's The Charm
by Jack Bowers
While it remains to be seen whether rising star Benny Benack III's third album as leader is a charm (that is up to the listener), it is definitely a charmer, with delightful turns by trumpeter (and vocalist) Benack and pianist Emmet Cohen complementing stellar performances by a number of well-known and talented guest artists. This is basically a quintet date (Benack, Cohen, tenor saxophonist Ruben Fox, bassist Russell Hall, drummer Kyle Poole) enriched by star turns along ...
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