Jazz Articles about Pepper Adams

like 380

Lee Morgan: The Cooker

by Samuel Chell
January 29, 2007

Although Lee Morgan had already made a handful of albums at the age of 19, The Cooker (1957) represents his throwing down the gauntlet as successor to Clifford Brown's vacated throne. It's close to being a pure bebop session, suggestive of a date like For Musicians Only (Verve, 1956), on which Gillespie, Stitt and Getz set some sort of record for NPS (notes per second). At the same time, the precocious trumpeter, already brimming with confidence, is not about to ...

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Pepper Adams: Urban Dreams

by Derek Taylor
December 11, 2003

Musicians frequently become associated with the attributes of their instruments. Charles Mingus was hulking and imposing, just like his bass. Art Blakey had the propulsive, authoritative personality of his drums. Paul Desmond was urbane and laidback, just like the sound of his sweet-toned alto.

There are, of course, exceptions to these sorts of correlations. Take Pepper Adams for instance. Slight of frame, particularly in his later years, Adams physical presence was the apotheosis of his chosen axe. Hefting ...

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Donald Byrd: Byrd in Hand (RVG Edition)

by Robert Gilbert
February 24, 2003

Of the jazz trumpeters who blazed a trail during the 1950s and '60s, Donald Byrd has never really gotten his due. He came into his own at the same time as Miles Davis, Clifford Brown, Chet Baker, Kenny Dorham, etc. were on the scene, unjustly diverting some attention away from Byrd. Yet a listen to a small part of his recorded output reveals a trumpeter with a well-developed penchant for lyricism and who, over time, learned to use space as ...

like 152

Donald Byrd: Electric Byrd

by Jim Santella
December 1, 1997

This landmark recording from 1970 followed on the heels of Miles Davis' Bitch's Brew and contained many of the same elements that Miles used in his innovative ventures; jazz moved away from the wah-wah trumpet and ushered in the wah-wah guitar. With a lineup including Mickey Roker on drums, Ron Carter on bass, Duke Pearson on electric piano, Wally Richardson on electric guitar, Bill Campbell on trombone and a reed section of Jerry Dodgion, Frank Foster, Lew Tabackin and Pepper ...