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Lucas Pino: That's a Computer
by Angelo Leonardi
Dal 2013 il sassofonista e compositore Lucas Pino dirige il suo “No Net Nonet" esibendosi tutti i mesi allo Smalls Jazz Club di New York, senza trascurare altre scritture. L'organico è nato nel 2009, da allora ha cambiato solo un componente e la regolarità del rapporto spiega la coesione e l'equilibrio evidenziati in questo terzo album. Recentemente il look di Pino è molto cambiato: il giovanotto modello anni cinquanta, con capelli corti ben pettinati, occhiali alla Cary ...
Continue ReadingLucas Pino: That's a Computer
by David A. Orthmann
Lucas Pino's No Net Nonet has claimed a piece of turf within the vast, sprawling, crowded field of the jazz mainstream. Its brilliantly conceived and executed efforts resist additional stylistic distinctions. Teamwork, mutually reinforcing concerns and a spirit of adventure infuse the seven tracks of That's A Computer. The compositions and arrangements by the leader, as well as one apiece by alto saxophonist Alex LoRe and guitarist Rafal Sarnecki, are bold, invigorating and rife with details that linger in memory. ...
Continue ReadingLucas Pino's No Net Nonet: That's a Computer
by Jack Bowers
Saxophonist Lucas Pino's adventurous New York-based No Net Nonet is on record for the third time with That's a Computer (yes, there's a story behind that but it's too lengthy to recount here), which underscores Pino's usual flair for anomalous compositions and arrangements. Except for drummer Jimmy Macbride, who came on board in 2017, every member of Pino's group has been there from the start, eight years earlier, and that's a nice harbor from which to set sail, as everyone ...
Continue ReadingNick Finzer: No Arrival
by Dan Bilawsky
To say a musician has arrived is to create the ultimate paradox. For in that notion is the suggestion of reaching the upper echelon in the art form, but also an indication of the end of a journey and the start of stagnation. With the true seeker and master musician, there is no arrival; there's merely the act of moving forward, and trombonist Nick Finzer is keenly aware of that. While he's certainly come into his own over the past ...
Continue ReadingNick Finzer: Hear & Now
by Angelo Leonardi
In questo terzo disco da leader Nick Finzer conferma l'organico e i partner presenti nei primi due: Exposition (Outside in Music, 2013) e The Chase (Origin Records, 2015). Non ancora trentenne, il trombonista di Rochester (N.Y.) s'è imposto tra i migliori strumentisti della sua generazione per la tecnica brillante, la bellezza del timbro e il rispetto con cui guarda alla tradizione boppistica dello strumento. Se i suoi maestri diretti sono stati Steve Turre e Wycliffe Gordon, dai quali ...
Continue ReadingNick Finzer: Hear & Now
by Dan McClenaghan
New York-based trombonist Nick Finzer has benefited from mentorships under trombone masters Wycliffe Gordon and Steve Turre; but his third CD release, Hear And Now also brings the original trombone master, J.J. Johnson to mind. One of Johnson's last CDs, the minor masterpiece, Heroes (Verve Records, 1995), featured a sextet configuration with an enormously-talented pianist, Rene Rosnes, in the mix. Hear & Now is a sextet outing with an up-and-coming, unlimited potential talent, Glenn Zaleski, sitting in front of the ...
Continue ReadingNick Finzer: The Chase
by Mark Sullivan
Trombonist Nick Finzer distinguishes himself as horn player, composer, and bandleader on this exciting sextet date. It's upbeat modern jazz just about all the way, aided by creative arranging. This is bop-based music, but Finzer avoids the trap of having all of the tunes follow the same head-solos-head format. There's plenty of solo space, but not everyone solos on every piece, or in the same order. This is a group of players who know each other very well, which can ...
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