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Nate Radley: Morphoses
by Dan Bilawsky
There are guitarists out there who seek to burn an impression of their work into ears and minds, and there are others who manage to make an impression simply by being themselves. Nate Radley falls into the second category. His music isn't forceful, but it still manages to make an impact. On Morphoses, Radley shifts between, and occasionally fuses, low-key modern jazz and Americana language(s). There's a number that references Merle Travis ("Travis"); there are pieces that ...
read moreNate Radley: The Big Eyes
by Dan Bilawsky
Jazz musicians often emphasize the importance of having big ears when finding a place in the music, but big eyes are equally important. Tunnel vision and a general lack of ability to see the big picture have plagued many a musician, but guitarist Nate Radley needs no corrective musical lenses. Radley's panoramic outlook and long range sight give him a unique perspective that's on display for all to hear on his debut recording. Radley has been building ...
read moreNate Radley: The Big Eyes
by Dan McClenaghan
Guitarist Nate Radley has turned in some great sideman performances. On alto saxophonist Loren Stillman's Winter Fruits (Pirouet, 2009), he teamed with organist Gary Versace and drummer Ted Poor for one of that year's more unusual--and unusually fine--recordings; and in 2010, he joined another intrepid saxophonist, Marc Mommaas, on the modernistic Landmarc, a string-heavy set with fellow guitar slingers Vic Juris, and Rez Abbasi.The Big Eyes finds Radley debuting in the leader's chair, serving up out an original ...
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