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Greg Lewis / Organ Monk: Uwo in the Black
by Dan Bilawsky
Many a jazz musician visits the territory of pianist Thelonious Monk for a short spell, but organist Greg Lewis seems to have signed up for an extended stay. His Organ Monk (Self Produced, 2010) proved to be a completely original and exciting take on the music of the man affectionately and reverently called the High Priest of Bop, but Lewis didn't linger on this success. He buckled down and put together a sequel that is every bit as enjoyable, though ...
Continue ReadingGreg Lewis / Organ Monk: Uwo in the Black
by Hrayr Attarian
It takes abundant courage and uncommon musical vision to radically reinterpret the works of such an idiosyncratic genius as pianist Thelonious Monk. Fortunately, organist Greg Lewis possesses both as is evident on the second volume of his Organ Monk trilogy, Uwo In The Black. As he did on Organ Monk (Self Produced, 2010), Lewis adds a few of his own tunes to the Monk repertoire, seamlessly blending into the overall thematic structure. The organist's “In the Black--My ...
Continue ReadingGreg Lewis / Organ Monk: Uwo in the Black
by Larry Taylor
Uwo in the Black is organist Greg Lewis' second recording based on Thelonious Monk's music--in fact, it is the second in a projected trilogy. Lewis' debut in 2010, Organ Monk, gained high respect from critics. Whereas, the first effort was a trio affair, Lewis expands the group here by adding Reginald R. Woods on tenor saxophone. Woods' hard-edged tone and highly-charged style bring the flavor of Monk's regular tenor man Charlie Rouse to the studio. The sax also adds considerably ...
Continue ReadingJason Moran: Ten
by AAJ Italy Staff
Dieci anni di vita per Bandwagon, il trio guidato dal pianista Jason Moran con il bassista Tarus Mateen e il batterista Nasheet Waits. Giusto celebrarne la coesione espressiva e l'efficacissima capacità di sintesi che ha dimostrato in questo decennio di dischi e concerti, gettando in un certo senso un ponte - di magistrale architettura - tra tradizione e nuove creatività urbane, mostrando con naturalezza come il dialogo tra il jazz e l'elettronica, la scrittura contemporanea, l'hip-hop e le altre discipline ...
Continue ReadingJason Moran: Ten
by William Carey
Jason MoranTenBlue Note Records2010
Ten celebrates the ten year life of the Bandwagon, pianist Jason Moran's trio with bassist Tarus Mateen and drummer Nasheet Waits. The piano trio is a mainstay in the jazz tradition, and here the Bandwagon does a characteristically great job of being firmly in that tradition while also blazing a new trail.
“Blue Blocks" starts with a descending motif, planing chords in a gravitational freefall, the hint of ...
Continue ReadingJason Moran: Ten
by David Adler
Pianist Jason Moran offers Ten, to mark a decade with the Bandwagon, his trio with bassist Tarus Mateen and drummer Nasheet Waits, and it's an anniversary worth celebrating. But Ten is also Moran's first release since Artist In Residence (Blue Note, 2006), so it affords him the opportunity to include pieces from long-form commissioned works he's written since then. The loping, gospel-tinged “Blue Blocks" is from a multimedia suite inspired by the quilt makers of Gee's Bend, Alabama. “RFK in ...
Continue ReadingKomeda Project: Requiem
by Chris May
Despite the snowballing emergence of European jazz musicians on the world stage, relatively few European jazz composers have, in 2009, made it into the global repertory, which continues to be dominated by American voices. Perhaps it always will be, and perhaps local singularities--Italian or British or Scandinavian or whatever--are in any case better treasured, rather than absorbed into a single, universal body of work. But the fact remains that a cornucopia of great “foreign" compositions remains neglected in jazz's birth ...
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