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Jazz Articles about Nasheet Waits

10
Album Review

Christian McBride: Prime

Read "Prime" reviewed by Cary Tenenbaum


Prime's opening track, “Head Bedlam," opens with a cacophony of horns playing in a style reminiscent of Sun Ra's Arkestra. This transforms into a quiet, cool riff with bass and drums leading the way, shifting the music into a more accessible groove before returning to the aptly titled bedlam in the track's closing seconds. It is a brave opening to New Jawn's second release because it is not the easiest way to attract the casual jazz listener. ...

11
Album Review

Christian McBride's New Jawn: Prime

Read "Prime" reviewed by Mike Jurkovic


"Head Bedlam," crashes from the gate with a gale force which instantly gives away the plot of Prime. Put simply, the sophomore release from maverick bassist Christian McBride's New Jawn (Philadelphia slang for something not yet named or created) is a free-form steeplechase. Crying, screeching, testifying, New Jawn trumpeter Josh Evans and saxophonist & bass clarinetist Marcus Strickland blow wild and loud over drummer Nasheet Waits' tumbling manifesto and McBride's deep-rooted thrumbling, to summon forth the ancestors (Ornette Coleman for starters) to jam ...

42
Liner Notes

Yelena Eckemoff: I Am a Stranger in This World

Read "Yelena Eckemoff: I Am a Stranger in This World" reviewed by Mark Sullivan


Russian-born pianist/composer Yelena Eckemoff began setting verses from the Bible's Book of Psalms shortly after her conversion to Christianity, even before her emigration to the United States. But she waited until she had considerable experience working with jazz musicians before producing her jazz arrangements. They were first recorded on her album Better Than Gold and Silver [L&H Production, 2018], which presented ten Psalm settings in both vocal and instrumental versions. The detailed story of how Yelena Eckemoff came to set ...

Album Review

Amir ElSaffar River of Sound Orchestra: The Other Shore

Read "The Other Shore" reviewed by Neri Pollastri


Secondo disco per la Rivers of Sound Orchestra, ensemble creato nel 2015 da Amir ElSaffar con il preciso intento di esplorare in modo originale le culture musicali delle sue origini. ElSaffar è infatti nato negli Stati Uniti da madre statunitense e padre di origini irachene; avvicinatosi precocemente alla musica, ha coltivato quella jazzistica dalla discoteca paterna e quella classica dalle frequentazioni della madre; musicista dalle collaborazioni di altissimo livello--tra gli altri Cecil Taylor e Vijay Iyer--solo da adulto si è ...

11
Album Review

Jeff Parker / Eric Revis / Nasheet Waits: Eastside Romp

Read "Eastside Romp" reviewed by Mark Corroto


If the answer on the television quiz show Jeopardy is: “Have not ever recorded together as a trio," you most probably would have never guessed the question, “What have Jeff Parker, Eric Revis, and Nasheet Waits never done?" Well, that is until now. Each musician has an impressive discography, with nearly 500 sessions in total between them. Just not together. Waits' drums and Revis' bass have graced the music of Orrin Evans and Armen Nalbandian's ensembles and also ...

Album Review

Emile Parisien: Louise

Read "Louise" reviewed by Neri Pollastri


Sebbene da noi un po' ignorato, il sassofonista e compositore Emile Parisien è da tempo uno dei migliori rappresentanti della eccellente scuola francese, nonché tra i più interessanti interpreti internazionali del sax soprano. Noto per le sue collaborazioni con l'estroso fisarmonicista Vincent Peirani e con il pianista italiano residente a Parigi Roberto Negro, presente pure in questo lavoro, è anche un notevole band leader e lo dimostra qui in Louise (dedicato alla scultrice Louise Bourgeois), ove dirige un “classico" sestetto ...

10
Album Review

Tim Berne and Nasheet Waits: The Coandă Effect

Read "The Coandă Effect" reviewed by Troy Dostert


Even by the customarily prolific standard he's set over the course of his career, 2020 is shaping up to be an especially accomplished year for saxophonist Tim Berne. His Fantastic Mrs. 10 (Intakt) offered another scintillating formulation of his well-established Snakeoil outfit, and his first solo album, Sacred Vowels (Screwgun), was also released. Sandwiched in between, but hopefully not overlooked for that reason, is The Coandă Effect, a live recording with drummer Nasheet Waits, which illuminates yet another facet of ...


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