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Jeff Parker / Eric Revis / Nasheet Waits: Eastside Romp
by John Sharpe
Though best known as an experimental guitarist in the likes of Tortoise, Isotope 217 and the Chicago Underground Trio, on Eastside Romp Jeff Parker hews closer to his jazz roots in a co-operative trio completed by bassist Eric Revis and drummer Nasheet Waits. Each a leader, Parker's bandmates possess similarly expansive resumés, making their somewhat introspective group focus here a surprise. On a program of five originals from across the band, one cover and one improv, they combine in the ...
Continue ReadingOrgan Monk: Uwo In the Black
by Howard Mandel
Organ Monk is the inspired--some might say “mad"--project of Brooklyn-based keyboardist Greg Lewis to play the unique compositions of Thelonious Monk as they've never been played before. Lewis throws down Monk's memorable turns of melody and digs into his harmonic insights, mostly at groovin' rhythms, on the Hammond C 3 organ. It's tempting to say Lewis' style on that inimitable instrument is “all stops out"--because he's more than mastered the complex multi-manual and foot-pedaled contraption. He's become an exciting innovator ...
Continue ReadingChristian McBride: Prime
by Cary Tenenbaum
Prime's opening track, “Head Bedlam," opens with a cacophony of horns playing in a style reminiscent of Sun Ra's Arkestra. This transforms into a quiet, cool riff with bass and drums leading the way, shifting the music into a more accessible groove before returning to the aptly titled bedlam in the track's closing seconds. It is a brave opening to New Jawn's second release because it is not the easiest way to attract the casual jazz listener. ...
Continue ReadingChristian McBride's New Jawn: Prime
by Mike Jurkovic
"Head Bedlam," crashes from the gate with a gale force which instantly gives away the plot of Prime. Put simply, the sophomore release from maverick bassist Christian McBride's New Jawn (Philadelphia slang for something not yet named or created) is a free-form steeplechase. Crying, screeching, testifying, New Jawn trumpeter Josh Evans and saxophonist & bass clarinetist Marcus Strickland blow wild and loud over drummer Nasheet Waits' tumbling manifesto and McBride's deep-rooted thrumbling, to summon forth the ancestors (Ornette Coleman for starters) to jam ...
Continue ReadingYelena Eckemoff: I Am a Stranger in This World
by Mark Sullivan
Russian-born pianist/composer Yelena Eckemoff began setting verses from the Bible's Book of Psalms shortly after her conversion to Christianity, even before her emigration to the United States. But she waited until she had considerable experience working with jazz musicians before producing her jazz arrangements. They were first recorded on her album Better Than Gold and Silver [L&H Production, 2018], which presented ten Psalm settings in both vocal and instrumental versions. The detailed story of how Yelena Eckemoff came to set ...
Continue ReadingAmir ElSaffar River of Sound Orchestra: The Other Shore
by Neri Pollastri
Secondo disco per la Rivers of Sound Orchestra, ensemble creato nel 2015 da Amir ElSaffar con il preciso intento di esplorare in modo originale le culture musicali delle sue origini. ElSaffar è infatti nato negli Stati Uniti da madre statunitense e padre di origini irachene; avvicinatosi precocemente alla musica, ha coltivato quella jazzistica dalla discoteca paterna e quella classica dalle frequentazioni della madre; musicista dalle collaborazioni di altissimo livello--tra gli altri Cecil Taylor e Vijay Iyer--solo da adulto si è ...
Continue ReadingJeff Parker / Eric Revis / Nasheet Waits: Eastside Romp
by Mark Corroto
If the answer on the television quiz show Jeopardy is: “Have not ever recorded together as a trio," you most probably would have never guessed the question, “What have Jeff Parker, Eric Revis, and Nasheet Waits never done?" Well, that is until now. Each musician has an impressive discography, with nearly 500 sessions in total between them. Just not together. Waits' drums and Revis' bass have graced the music of Orrin Evans and Armen Nalbandian's ensembles and also ...
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