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Jazz Articles about Miki Hayama

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Album Review

Don Braden: Earth Wind and Wonder, Vol. 2

Read "Earth Wind and Wonder, Vol. 2" reviewed by Jack Bowers


As on the first recording of this two-volume series, acclaimed tenor saxophonist Don Braden pays tribute to a couple of his coming-of-age idols, singer-songwriter Stevie Wonder and the genre-defying group Earth, Wind and Fire. Braden has chosen four of Wonder's compositions and three associated with EW&F to accompany a pair of his splendid original themes. Braden plays tenor saxophone most of the way, flute and alto flute, respectively on Wonder's “Bird of Beauty" and “Creepin.'" Needless to ...

3
Album Review

Sheryl Bailey: Homage

Read "Homage" reviewed by Jim Josselyn


Homage, Sheryl Bailey's 12th outing as a leader, is a welcome and well deserved musical love letter to the late, great Pat Martino. The opening track, with one of the great song titles in instrumental music history, “The Velvet Hammer," was written for Martino, and the decision to have keyboardist Miki Hayama play the Fender Rhodes throughout harkens back to one of Martino's masterpieces with Gil Goldstein, We'll Be Together Again (Muse, 1976). But make no mistake, Bailey ...

9
Album Review

Tim Mayer: Keeper of the Flame

Read "Keeper of the Flame" reviewed by Jack Bowers


On Keeper of the Flame, Tim Mayer, a Bostonian who now calls Mexico home, leads a sharp, swinging group of like-minded amigos on a (mostly) octet studio date enriched by Diego Rivera's colorful arrangements. Mayer plays tenor sax on half a dozen tracks, soprano sax on “Bye Bye Blackbird" and “Get Organized," alto flute on “Elusive." Mayer's tenor spans a bridge from early John Coltrane to George Coleman, Joe Henderson, Bob Mintzer and other post-bop patriarchs with a dash of ...

192
Album Review

Miki Hayama: Wide Angle

Read "Wide Angle" reviewed by Lyn Horton


Miki Hayama establishes an identifiable cadence in her piano language in Wide Angle. Her trio behaves as one organism; Hayama offers the fearless heartbeat. Hayama composed eight of the ten pieces on the recording. The rigorous tempos, even when moderate, bond the three instruments. The precision with which Hayama addresses the piano demonstrates her fascination with the minutest detail. Her strength lies in the quality of her treble arpeggiation ("What's Next") through which progressions she plants bass ...


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