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Jazz Articles about Mike Keneally

1
Live Review

Mike Keneally & Beer For Dolphins at The Cutting Room

Read "Mike Keneally & Beer For Dolphins at The Cutting Room" reviewed by Max Kutner


Mike Keneally & Beer for Dolphins The Cutting Room New York, NY October 14, 2025 Mike Keneally was making an especially rare NYC appearance with his long-standing band, Beer for Dolphins this Tuesday evening at The Cutting Room. For over 30 years, Keneally has established himself as a singular force of nature as a composer and songwriter as well as a freakishly facile singer, keyboardist, and guitarist--all qualities which were on abundant display throughout the ...

33
Album Review

Ed Palermo: Prog vs. Fusion: A War of the Ages

Read "Prog vs. Fusion: A War of the Ages" reviewed by Jack Bowers


Well, if it walks like a big band and talks like a big band...chances are it's a big band, even though, in the case of Ed Palermo's New York-based 18-piece ensemble, it neither walks nor talks much like any other big band on planet earth. On Prog Vs. Fusion, Palermo casts aside many established harmonic principles in favor of fomenting and supervising a colossal struggle between the powerful forces of progressive rock and fusion. In doing so, ...

7
Album Review

The Ed Palermo Big Band: Prog vs. Fusion: A War of the Ages

Read "Prog vs. Fusion: A War of the Ages" reviewed by Kyle Simpler


Sometimes musicians with serious chops take their music a little too seriously. Others, however, manage to combine talent and humor in a way that proves infectious. The Ed Palermo Big Band is one of the best examples of the latter. With albums drawing on such diverse influences as Frank Zappa, Paul Butterfield, and King Crimson, Palermo delivers a foundation of solid jazz infused with a spirit of experimentation and an eye for the absurd. With Prog vs. Fusion: A War ...

5
Album Review

Mike Keneally: The Thing That Knowledge Can't Eat

Read "The Thing That Knowledge Can't Eat" reviewed by Mick Raubenheimer


A new Mike Keneally album is always a thing of humming excitement and intrigue. And pending contradictions eloquently resolved. Forever searching along and within nooks and crannies of the soniverse for fresh sounds and patterns, Keneally surveys the majestic reaches and possibilities of music and grins. A shockingly talented musician, Keneally has the calm energy of someone who can pull off the most complex musical riff (on keyboards and/or guitar, sometimes simultaneously) in an effortless manner, in this way appearing ...

16
Album Review

Gergo Borlai: The Missing Song

Read "The Missing Song" reviewed by Jim Worsley


The Missing Song has been heralded as a tribute to Gergo Borlai's nine most influential drummers still alive and performing today. This is much more than just listing them and perhaps covering one of their songs. Borlai composed eight of the nine new songs on this album. He plays them all in the manner, or mindset, of each drummer. The thought process, and level of preparation was meticulous for every drummer and every song. The drum kit, cymbals, sticks, pedals, ...

6
Album Review

Mike Keneally: You Must Be This Tall

Read "You Must Be This Tall" reviewed by Glenn Astarita


Virtuoso guitarist and multi-instrumentalist Mike Keneally has been all over the musical radar, spanning the past three decades. Performing with Frank Zappa in 1988, the artist has also aligned with avant-garde guitar hero Henry Kaiser and currently mans the keyboards amid some guitar work in support of iconic progressive rock guitarist Joe Satriani. With his 24th solo album, Keneally propagates some insanely complex time signatures, perhaps deriving influence from Zappa but mixes it up poignantly by infusing humor, slamming backbeats, ...

457
Live Review

Jeff Kaiser / Kronomorphic / Keneally-Minnemann-Beller: San Diego, March 11, 2011

Read "Jeff Kaiser / Kronomorphic / Keneally-Minnemann-Beller: San Diego, March 11, 2011" reviewed by Robert Bush


Jeff Kaiser / Kronomorphic / Keneally/Minnemann/BellerPorter's Pub, UCSDSan Diego, CAMarch 11, 2011 The Friday, March 11 show at Porter's Pub, organized by UCSD promoter Brian Ross, was a wild, kaleidoscopic affair. Featuring two Southern California-based creative improvising exponents with a rock-fusion headliner represented a certain degree of risk: would the headliner's fans tolerate the opening acts? Conversely, would the jazz crowd stick around for the main attraction? Well, it all seemed ...


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