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Mike Boone Friends and Family: Confirmation
by Richard J Salvucci
Sometimes, a random listener intervenes to comment on music a reviewer is working on. “Who are those guys?" with a tone that means, “I should know this right?" Well, if you happen to be from Philadelphia, shame on you. This was some kind of party, maybe a party in a church, or as bassist Mike Boone comments, “a church in a party." Especially if you walk in on “Hymn," the idea that someone happened on a hip Sunday service is ...
Continue ReadingJohn Swana: Philly Gumbo Vol.2
by C. Andrew Hovan
It seems like a lot of up and coming trumpeters these days go for the bop stylings of Freddie Hubbard and Woody Shaw as their main influence. Far fewer look to players like Art Farmer or Kenny Wheeler for inspiration. That's what has made watching the development of Philadelphia trumpet man John Swana so fascinating over the years. While he has the chops needed to communicate in the high-octane language of be-bop, his tone and use of space suggest that ...
Continue ReadingJohn Swana: Philly Gumbo
by C. Andrew Hovan
It seems like a case of the big fish swimming in a small pond. So while Philadelphia native John Swana currently chooses to make his home in the city of Brotherly Love, it's clearly evident that this world-class musician could succeed easily in the Big Apple, the undisputed center of jazz activity in America. Taking up the trumpet at the age of 11, Swana was hooked on jazz after one spin of a Dizzy Gillespie record. Lucky enough to get ...
Continue ReadingMaci Miller: Nine
by Richard J Salvucci
Philadelphia-based singer Maci Miller gives her audience a variety of looks, all of them good. On first hearing, Blossom Dearie, but then, Blossom Dearie was Blossom Dearie. No one ever sounded quite like her. Then again, there is some mid 1960s Nancy Wilson, hushed, clipped, all business. On reflecting that Dearie and Wilson an odd combination do make, one just listens and stops thinking influences, other than “eclectic." Or maybe Billie Holiday, if Miller is in the mood. A Philly ...
Continue ReadingEric Wyatt: A Song of Hope
by Jack Bowers
On A Song of Hope, his second album for Whaling City Sound, saxophonist Eric Wyatt offers more than hope; he offers assurance that contemporary jazz is alive and well in and around his home base of Brooklyn, NY. Wyatt, the godson of another rather well-known saxophonist, Sonny Rollins, performs in groups of various sizes, from quartet to octet, with vocals by Samara Joy on two numbers, “Fragile" and Wyatt's “Say Her Name." The almost-constants are pianist Donald Vega, bassist Eric ...
Continue ReadingNick Lombardelli: Secret Suite
by David A. Orthmann
Nick Lombardelli's debut recording as a leader heralds the arrival of a prodigious composer, arranger and instrumentalist. Secret Suite is a five-part work that deftly fuses composed material and the improvisations of nearly everyone in an eight-piece band, including drummer Matt Scarano who initiates “Solid Ground" and caps off “A New View," the suite's final movement. Utilizing jazz and classical techniques, Lombardelli writes vivid melodies that evoke a variety of moods, often stretches his compositions beyond easily ...
Continue ReadingNick Lombardelli: Secret Suite
by Kyle Simpler
It's easy to see the influence of blues and popular music in jazz. After all, many jazz standards were originally popular songs, and blues is where jazz music originated. Classical music, though, has also featured prominently in jazz, but it doesn't always get the same level of recognition. However, some of the greatest jazz musicians and composers, such as Duke Ellington, Bill Evans, and Dave Brubeck have all been influenced by classical music. In keeping with this tradition, Nick Lombardelli's ...
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