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Jazz Articles about Mat Maneri
Ches Smith: Interpret It Well
by Karl Ackermann
Ches Smith's extraordinary Path of Seven Colors (Pyroclastic Records, 2021) was a breakout recording that placed the drummer/composer at the top of many year-end lists. His sophomore outing on Kris Davis' label bears little similarity to his Pyroclastic debut beyond the artist's knack for discovering unexplored terrain. Interpret It Well reunites the trio of pianist Craig Taborn, violist Mat Maneri, and Smith (The Bell (ECM, 2016)) and adds guitarist Bill Frisell. With these master improvisers in place, Smith ...
Continue ReadingChes Smith: Interpret It Well
by Troy Dostert
Ches Smith is a drummer who can make an immediate impact in a number of ways. His work as a sideman with everyone from John Zorn to Ben Goldberg to Tim Berne is ample evidence of his rhythmic range. But his own projects are just as inventive, from the punkish mania of Hammered (Clean Feed, 2013) to the re-imagined Haitian Voudou on 2021's Path of Seven Colors (Pyroclastic). If there is a common thread, it is probably found in Smith's ...
Continue ReadingMichael Bisio Quartet: MBefore
by Karl Ackermann
In the dark days of Covid and the lingering return to normality, only a handful of musicians managed to be prolific. Fewer remained relevant. Bassist & composer Michael Bisio is among the more productive artists, with half a dozen releases during the pandemic. Add to that collection MBefore, with the bassist's new namesake quartet. The album was recorded at Clubhouse Studio in Rhinebeck, New York, in March 2021, and includes liner notes by Matthew Shipp. The group comprised some top—if ...
Continue ReadingManeri / Kalmanovitch / Jacobson / Osgood: Variations On No Particular Theme - Part 1
by Mark Corroto
This free improvisation chamber quartet is an interesting study in bold, yet even-tempered music making. Tomo Jacobson, the Polish-born bassist now making Copenhagen his home, assembled this Europe-meets-North American cast for what appears to be the beginning of a beautiful relationship. Jacobson is joined by Danish drummer Kresten Osgood and two violists, the Canadian Tanya Kalmanovitch and American Mat Maneri. Jacobson and Osgood are members of the septet Moonbow, and the drummer released Tzokth Songs (Isula Jazz, 2016) along with ...
Continue ReadingJen Shyu and Jade Tongue: Zero Grasses: Ritual for The Losses
by Hrayr Attarian
Calling vocalist and multi-instrumentalist Jen Shyu brilliant, and her style unique, underestimates both her ingenuity as a composer and the distinctiveness of her oeuvre. Shyu has forged her own path in creative music with an intrepid spirit and restless innovation. Her eighth release as a leader is the intensely personal Zero Grasses: Ritual For The Losses. A cycle of songs which is equally about bereavement and injustice as it is about solace and hope, its message transcends the individual, reaching ...
Continue ReadingCraig Taborn: Compass Confusion
by Mike Jurkovic
Compass Confusion, the long hoped for return of Craig Taborn's depth defying, solo-gone-quintet from Junk Magic (Thirsty Ear, 2004), climaxes early and often and, however you like to be lured, It pulls you along with a lush velvet hook in your mouth. Reeling it in is a struggle but a blessing. We know that. We get it. CTJM thinks so too. First timers, saxophonist/clarinetist Chris Speed and bassist ((Erik Fratzke}} are welcomed brotherly into the fold by pianist ...
Continue ReadingCraig Taborn: Compass Confusion
by John Sharpe
Although a peerless pianist, Craig Taborn has been captivated by electronics since the age of 12, and he scratches that itch big-time on Compass Confusion. The role of post-production treatments in the creation of jazz records has a long history, from Orrin Keepnews piecing together the issued version of Thelonious Monk's 1956 classic “Brilliant Corners" from among 24 takes of the tune, to Miles Davis and Teo Macero forging masterpieces like Bitches Brew (CBS, 1970) from studio jams. Taborn's ethos ...
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