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Jazz Articles about Mary Halvorson

9
Album Review

Mary Halvorson: Code Girl

Read "Code Girl" reviewed by Troy Dostert


Those familiar with guitarist Mary Halvorson's numerous projects have become well-acquainted with the idiosyncratic, unorthodox, sometimes cerebral approach she takes to her craft. Halvorson's compositions are consistently thoughtful but rarely predictable and her improvising is similarly distinctive, so expecting the unexpected is par for the course. Even so, the breadth of Halvorson's interests and influences can be startling, as anyone who's heard her work with Marc Ribot's Young Philadelphians on Live in Tokyo (Yellowbird, 2015) can tell you. It only ...

147
In Pictures

Unlimited 31 - Mary Halvorson "Ribbons of Euphoria"

Read "Unlimited 31 - Mary Halvorson "Ribbons of Euphoria"" reviewed by Luciano Rossetti


7
Album Review

Mary Halvorson: Paimon: Book of Angels Volume 32

Read "Paimon: Book of Angels Volume 32" reviewed by Don Phipps


Paimon: Book of Angels Volume 32 offers up the final installment in prolific composer John Zorn's 32-album sojourn (titled Book of Angels). It is an exciting and fitting capstone. From the start, the music dances its way through contrasts of exciting, mysterious, probing, exotic, and shifting musical folk-jazz idioms, improvisations and compositions. The Mary Halvorson Quartet are Tomas Fujiwara on drums, Drew Gress on bass, Mary Halvorson on guitar, and Miles Okazaki on guitar. There is ...

1
Interview

Luciano Linzi - Direttore artistico di JazzMI

Read "Luciano Linzi - Direttore artistico di JazzMI" reviewed by Paolo Peviani


Milano ha sempre ospitato numerose iniziative e rassegne in ambito jazzistico. Più o meno strutturate, più o meno significative. Per molti anni, tuttavia, alla città è mancato un vero e proprio festival. Una lacuna non da poco per una città di grandi ambizioni, che ama confrontarsi e competere con le principali capitali europee. Nel 2016 JazzMI ha colmato questa lacuna, inondando la città con una quantità impressionante di concerti ed iniziative collaterali. In vista della seconda edizione ...

2
Album Review

Mary Halvorson Octet: Away With You

Read "Away With You" reviewed by Vincenzo Roggero


La band è stellare -vi troviamo alcuni dei più quotati improvvisatori della scena newyorchese -la leadership discreta ma autorevole, la scrittura sorprendente, il risultato finale mozzafiato. Dal solo al settetto, Mary Halvorson aveva già avuto modo di mettere in mostra il proprio talento, cresciuto alla scuola di Mr. Anthony Braxton, ma l'ottetto (formazione ibrida ambigua per natura, a metà strada tra il piccolo combo allargato e l'ensemble di grandi dimensioni, per contro formazione dalle infinite possibilità) non aveva ancora trovato ...

5
Album Review

Marc Ribot: Live In Tokyo

Read "Live In Tokyo" reviewed by Chris M. Slawecki


Ah, The Sound of Philadelphia. For folks lucky enough to grow up in or around the City of Brotherly Love and Sisterly Affection in the mid-to late-1970s (I'm one), the very phrase resounds with memories, most emanating from Sigma Sound Studios on North 12th Street: Thick yet clear arrangements, pumping and thumping basslines and rhythms, masterful vocalists smooth (Billy Paul) and rough (Teddy Pendergrass), guided by the firm yet sensitive hands of soul entrepreneurs Kenny Gamble and Leon Huff and ...

19
Album Review

Mary Halvorson Octet: Away With You

Read "Away With You" reviewed by Glenn Astarita


This debut octet outing led by guitarist Mary Halvorson is packed with an all-star team, featuring alto saxophonist Jon Irabagon, bassist John Hébert and other notables. However, one of the differentiators is the addition of pedal steel guitarist Susan Alcorn, who pushes the envelope above and beyond standard fare, sans the traditional Country music element. As many would anticipate, Halvorson integrates a modicum of surprises into the program that include false endings, shifting cadences, melancholic interludes and manic breakdowns amid ...


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