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Jazz Articles about Marty Morell


About Marty Morell

7

Album Review

Jeff Rupert/George Garzone: The Ripple

Read "The Ripple" reviewed by Jim Worsley

by Jim Worsley

The Ripple refers to the infectious, warm, intimate, yet big sound developed by the great Lester Young, starting in the late 1930s. While Young pioneered improvisational creativity, Stan Getz later took the baton (well, it was actually a saxophone) and further expanded his idol's stylish approach with new and creatively open-ended visions. Young and Getz collectively have had an enormous effect on future generations of sax players. Consequently, they have left a significant and impactful mark on the sound of ...

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612

Interview

Marty Morell: A Leader at Last

Read "Marty Morell: A Leader at Last" reviewed by Ken Dryden

by Ken Dryden

Marty Morell recently began his fifth decade on the international jazz scene, but it was only recently that he recorded his first CD as a leader. Best known for his long stint as the drummer in the Bill Evans Trio between 1968 and 1974, after leaving Evans he lived and worked in Toronto for a number of years, playing with a number of Canadian bandleaders and also playing on soundtracks and jingles. Morell has performed on recordings by Henry “Red ...

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217

Album Review

Marty Morell Jazz Quintet: Live

Read "Live" reviewed by Michael P. Gladstone

by Michael P. Gladstone

Drummer Marty Morell may not be a household name to many, but he does hold a significant jazz title as being the longest running member of the Bill Evans trio--for eight years (1968-1975). Although he did work steadily for artists during the 1960s, Morell provided a bridge between Paul Motian and Elliot Zigmund as the drummer in the famed pianist's trio. For the handful of trio albums that Evans made between 1963-1967, he used the services of Shelly Manne, Arnold ...

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