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Mike Holober: Balancing Act
by Dan Bilawsky
Conceptualizing and creating music is a delicate balancing act, leaving composers to strive for symmetry between head and heart, reasoning and intuition, and structure and freedom. Who better to understand that than Mike Holober? Whether penning a piece or playing piano, Holober has always shown himself to be mindful of the need to find harmony between those and other opposing principles. It's his ability to do so that, in large part, has made him such a hot commodity in the ...
Continue ReadingMike Holober & The Gotham Jazz Orchestra: Quake
by Elliott Simon
Duke Ellington's legacy is alive and well with pianist Mike Holober and The Gotham Jazz Orchestra. Holober makes use of the increased musical scope that 17 pieces give him to weave compositional strength within a sound that sways more than swings. Some of the finest jazzers New York City has to offer join Holober for this session. Their individual talents are certainly showcased but the strength of this release is how Holober fits them all together to ...
Continue ReadingDonald Fagen: Morph the Cat
by Woodrow Wilkins
There's an engaging quality to Donald Fagen's songwriting and perfectionism that makes Steely Dan fans flock to his solo albums. While The Nightfly (1982) and Kamakiriad (1993) were expressly Fagen, Morph the Cat closely resembles Steely Dan without Walter Becker. The lineup partially reflects the ensemble that recorded the Dan's 2003 release, Everything Must Go, and toured with the group that year. The cast includes drummer Keith Carlock, guitarists Hugh McCracken and Jon Herington, and trombonist Lawrence Feldman. An assortment ...
Continue ReadingDonald Fagen: Morph the Cat
by AAJ Italy Staff
Donald Fagen sta al rock come Duke Ellington stava al jazz. Non sarà per i continui attestati di stima che la mente degli Steely Dan spesso gli tributa, ma l’attitudine nella creazione e nell’arrangiamento, l’eleganza nella scelta timbrica e armonica, la condotta delle parti e la ricerca melodica come filo labile da cucire nella stoffa preziosa della song form, rimandano spesso agli insegnamenti di Ellington. L’altro elemento portante e decisivo è la letterarietà dei testi. A volte criptici, a volte ...
Continue ReadingDonald Fagen: Morph The Cat
by Mike Perciaccante
Donald Fagen's third solo CD, his first such recording in thirteen years, blends jazz, soul, funk and just about every other musical influence you can name on nine new songs whose subject matter runs the gamut. The eclectic songs on Morph The Cat cover some interesting topics: a romantic interlude with an airport security guard ("Security Joan"); a conversation with the ghost of the late Ray Charles ("What I Do"); mortality ("Brite Nightgown"); and a cult taking over the US ...
Continue ReadingDonald Fagen: Morph The Cat
by John Kelman
Sometimes tight-knit teams like Donald Fagen and Walter Becker--better known as Steely Dan--make it difficult to determine what each individual brings to the table. It's no secret that Becker and Fagen have strong jazz sensibilities, not to mention an affection for Tin Pan Alley, having started out as staff writers for ABC Records before realizing their music was too sophisticated for the artists they were writing for. But Fagen's previous solo albums--Nightfly (Reprise, 1982) and Kamikiriad (Reprise, 1993)--and Becker's 11 ...
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