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Jazz Articles about Marilyn Mazur

5
Album Review

Torben Westergaard: The Gori Project II

Read "The Gori Project II" reviewed by Geno Thackara


Sometimes an experience is too special and rewarding to simply leave as a one-off. If it requires traveling 8,300 kilometers across the hemisphere, then maybe you cannot continue making it a habit as regular as popping off to the pub on weekends, but the right repeat can still be worth the effort, even if it takes a few years. Or such has been the experience of Torben Westergaard with the lingering euphoria from 2019's The Gori Project (self produced), which ...

2
Radio & Podcasts

David Liebman & Jeff Coffin, Acamar Trio & More

Read "David Liebman & Jeff Coffin, Acamar Trio & More" reviewed by Maurice Hogue


Danish percussionist and drummer Marilyn Mazur has worked with some of the greats--Miles Davis, Wayne Shorter, Gil Evans, Jan Garbarek--but her latest project is unlike anything previously. She's assembled an ensemble of top women musicians from Scandinavia for her new Shamania release. It's a highlight of this episode of One Man's Jazz, and so is the return of the much-criticized Miles Davis release On the Corner. Saxophonists Jeff Coffin and Dave Liebman decided it was time to take another look ...

15
Album Review

Marilyn Mazur: Shamania

Read "Shamania" reviewed by Don Phipps


Marilyn Mazur's album Shamania is fascinating. Both impressionistic and abstract, it emphasizes wordless vocals and sounds while incorporating elements of global jazz and world music. The ten artists who play with Mazur are all women and hail from the Scandinavian avant-garde jazz scene. Mazur's compositions are like kaleidoscopic postcards. The set begins with the ethereal “New Secret," where vocals permeate over a soft, flowing rhythm as the music evolves into a bird-like dream. On the safari-sounding “Rytmeritual," the ...

Live Review

Reykjavik Jazz Festival 2018

Read "Reykjavik Jazz Festival 2018" reviewed by Luca Vitali


Reykjavik Jazz Festival Reykjavik, Iceland September 5-9, 2018 Iceland has produced, and continues to produce, many outstanding artists--some of them world-famous, such as Björk, Múm, Sigur Rós, Ólafur Arnalds, Gus Gus, Emiliana Torrini, Of Monsters and Men--which is quite remarkable if one thinks that the country has less than 350,000 inhabitants. 130,000 of these live in the capital, Reykjavik, the most Northerly European capital, vibrant and intriguing (even though perhaps not as much as the striking ...

Live Review

Reykjavik Jazz Festival 2018

Read "Reykjavik Jazz Festival 2018" reviewed by Luca Vitali


Reykjavik Jazz Festival Reykjavik, Islanda 5-9.9.2018 L'Islanda ha prodotto, e produce, una grande quantità di artisti, alcuni dei quali molto conosciuti a livello internazionale come Björk, Múm, Sigur Ros, Ólafur Arnalds, Gus Gus, Emiliana Torrini, Of Monsters and Men... il che, a pensarci bene, ha dell'incredibile, se pensiamo che il paese è popolato da meno di 350.000 abitanti, di cui ben 130.000 nella capitale Reykjavík -la più a Nord d'Europa, vivace e intrigante (anche ...

378
Album Review

Yelena Eckemoff: Forget-me-not

Read "Forget-me-not" reviewed by Hrayr Attarian


Russian-born pianist Yelena Eckemoff comes from a diverse artistic background. Having studied both classical and jazz, she has performed in concert halls and with experimental jazz/rock ensembles. This versatility is on display on Forget-me-not, a disc comprised of ten original compositions with a unifying theme: a floating, dreamy atmosphere filled with cerebral and stimulating tone poems.Eckemoff weaves her different influences into her improvisations with seamless ease. The title track opens with inimitable percussionist Marilyn Mazur's sparse cymbals followed ...

154
Album Review

Marilyn Mazur: Celestial Circle

Read "Celestial Circle" reviewed by John Kelman


Celestial Circle might appear to be a conventional, piano trio-based vocal record on the surface, but it's an impression quickly dismissed with a closer look at its participants. Marilyn Mazur knows her way around a drum kit in no uncertain terms, but it's her more integrated approach, with an oft-times massive array of percussion--gongs, wood blocks, pots and other things that can be struck with hands, sticks and brushes--that has allowed the American-born/Denmark-raised and resident percussionist to evolve a more ...


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