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Jazz Articles about Marilyn Mazur

Live Review

Reykjavik Jazz Festival 2018

Read "Reykjavik Jazz Festival 2018" reviewed by Luca Vitali


Reykjavik Jazz Festival Reykjavik, Islanda 5-9.9.2018 L'Islanda ha prodotto, e produce, una grande quantità di artisti, alcuni dei quali molto conosciuti a livello internazionale come Björk, Múm, Sigur Ros, Ólafur Arnalds, Gus Gus, Emiliana Torrini, Of Monsters and Men... il che, a pensarci bene, ha dell'incredibile, se pensiamo che il paese è popolato da meno di 350.000 abitanti, di cui ben 130.000 nella capitale Reykjavík -la più a Nord d'Europa, vivace e intrigante (anche ...

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Interview

Marilyn Mazur: The Song in the Woods

Read "Marilyn Mazur: The Song in the Woods" reviewed by Adriana Carcu


Danish drummer, percussionist and composer Marilyn Mazur reached iconic status on the contemporary jazz scene in the early years of her career. Playing in the eighties with titans Miles Davis, Wayne Shorter and Gil Evans, she later joined Jan Garbarek's group and was instrumental in some of the musician's most significant projects at the beginning of the millennium. With astounding versatility and a natural sense of emulation, Mazur turns each of her performances into a powerful show that ...

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Album Review

Yelena Eckemoff: Forget-me-not

Read "Forget-me-not" reviewed by Hrayr Attarian


Russian-born pianist Yelena Eckemoff comes from a diverse artistic background. Having studied both classical and jazz, she has performed in concert halls and with experimental jazz/rock ensembles. This versatility is on display on Forget-me-not, a disc comprised of ten original compositions with a unifying theme: a floating, dreamy atmosphere filled with cerebral and stimulating tone poems.Eckemoff weaves her different influences into her improvisations with seamless ease. The title track opens with inimitable percussionist Marilyn Mazur's sparse cymbals followed ...

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Album Review

Marilyn Mazur: Celestial Circle

Read "Celestial Circle" reviewed by John Kelman


Celestial Circle might appear to be a conventional, piano trio-based vocal record on the surface, but it's an impression quickly dismissed with a closer look at its participants. Marilyn Mazur knows her way around a drum kit in no uncertain terms, but it's her more integrated approach, with an oft-times massive array of percussion--gongs, wood blocks, pots and other things that can be struck with hands, sticks and brushes--that has allowed the American-born/Denmark-raised and resident percussionist to evolve a more ...

Album Review

Marilyn Mazur: Celestial Circle

Read "Celestial Circle" reviewed by AAJ Italy Staff


Quello firmato dalla percussionista Marilyn Mazur è il classico album ECM, curatissimo nel dettaglio timbrico, pieno di sfumature e sottintesi, carico di leggerezza espressiva d'irresistibile appeal. In primo piano la voce eterea, dolce e cristallina, di Josefine Cronholm, un tratto di profonda femminilità che determina l'atmosfera generale di Celestial Circle, lavoro composto da quattordici tracce capaci di formare un unico corpo, dall'anima candida, dalle fattezze vaporose e fascinosamente impalpabili che si muove a passi felpati verso slanci di eleganza estrema. ...

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Album Review

Makiko Hirabayashi: Makiko

Read "Makiko" reviewed by Jay Deshpande


Makiko Hirabayashi may be the ideal emblem of today's multicultural jazz musician, caught in a web of influences. Born in Tokyo and educated in Boston, Hirabayashi is now a major pianist in Denmark, where she resides. Her debut album signals this globalism, presenting her with two top-notch Danish players on her own compositions.Makiko showcases a careful choice of tones and sounds, all of which add up to a common texture: cloudy, occasionally mystifying, and most frequently somber. “Camel ...

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Album Review

Marilyn Mazur: Elixir

Read "Elixir" reviewed by Budd Kopman


Percussionist Marilyn Mazur is a prime example of why many drummers these days are prone to listing themselves also as percussionists. The distinction is important beyond the number of instruments available to the player and involves the attitude towards their place in any musical enterprise. Drummer/percussionists like Paul Motian, Jon Christensen or Tony Oxley might not play as many instruments as Mazur, but their contribution to the music is more of a voice that happens to be ...


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