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Jazz Articles about Linda May Han Oh

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Radio & Podcasts

Linda May Han Oh: Navigating the Glass Hours

Read "Linda May Han Oh: Navigating the Glass Hours" reviewed by David Bixler


Bassist Linda May Han Oh's recording The Glass Hours features the front line of vocalist Sara Serpa and tenor saxophonist Mark Turner, while pianist Fabian Almazan and drummer Obed Calvaire join her in the rhythm section. Being a new parent has caused her to reflect on what she does as a musician and in this episode of LINER NOTES she talks about how a new awareness of the fragility of life in a world that can be an unsafe place ...

6
Live Review

Linda May Han Oh and Fabian Almazan At The MAC

Read "Linda May Han Oh and Fabian Almazan At The MAC" reviewed by Ian Patterson


Linda May Han Oh & Fabian Almazan The MAC Belfast, N. Ireland 22 June, 2023 Partners on stage and partners off stage, Malaysian-born, Perth-raised bassist Linda May Han Oh, and Cuban-born, Miami-raised pianist Fabian Almazan, have been making music together for 17 years. More than just deeply-rooted empathy and intuition, the basis of their music is love--a potent elixir. That the duo had brought their two-year-old son with them on this nine-date Irish tour ...

1
Album Review

Billy Valentine: Billy Valentine And The Universal Truth

Read "Billy Valentine And The Universal Truth" reviewed by Angelo Leonardi


Dopo quarant'anni d'assenza dal mercato, l'etichetta Flying Dutchman torna con una produzione intensa e avvincente, che ci riporta ai suoi anni migliori. Protagonista è Billy Valentine, soul singer degli anni settanta tornato alla ribalta cinque anni fa (col sorprendente quanto ignorato Brit Eyed Soul) e qui accompagnato da formazioni che includono Jeff Parker, Joel Ross, Immanuel Wilkins, Pino Palladino, Theo Croker, Larry Goldings, Linda May Han Oh, e altri nomi di primo piano. Bob ...

6
Liner Notes

Marshall Gilkes: Cyclic Journey

Read "Marshall Gilkes: Cyclic Journey" reviewed by Dan Bilawsky


Wonders never cease with Marshall Gilkes. Having previously reached extraordinary heights as a leader on a breakout quartet set, two standout quintet dates, a pair of essential releases with the WDR Big Band and one stunning trio album, this celebrated trombonist and composer now moves beyond known borders. Directing and fronting a sui generis assemblage merging a top-shelf rhythm combo with a brilliant brass ensemble, he uncovers and explores the conventions of his own cyclic journey. “I wrote the music ...

13
Album Review

Jo Lawry: Acrobats

Read "Acrobats" reviewed by Troy Dostert


Australian vocalist Jo Lawry has covered a lot of ground in a musical career that goes back to her well-received debut in 2008, I Want to Be Happy (Fleurieu). Her formidable jazz chops were readily apparent on that release, but she then turned to other genres, including folk and pop on albums like Taking Pictures (ABC Music, 2015) and The Bathtub and the Sea (Fleurieu, 2018), not to mention a few guest spots with Sting, as on Symphonicities (Deutsche Grammophon, ...

5
Liner Notes

Anthony Branker: What Place Can Be for Us? - A Suite in Ten Movements

Read "Anthony Branker: What Place Can Be for Us? - A Suite in Ten Movements" reviewed by Michael Ambrosino


Ma Rainey channeled music as her ritual of “singing to understand life." Congressman John Lewis leveraged music towards the “good trouble" he created fighting for civil rights in an uncivil land. Anthony Branker understands music as the calculus of his life's work—the art of weaving words and sound into transcendent tapestries that explore the rich, complex, and nuanced aspects of intolerance, beauty, prejudice, spirituality, gender, equality and social justice. The composite of this artistry exists within the remarkable ...

3
Liner Notes

Bass Extremes: S'Low Down

Read "Bass Extremes: S'Low Down" reviewed by Chris Jisi


Thirty years ago, a simple pairing changed the trajectory of bass. Steve Bailey and Victor Wooten, bonded by their mutual fretboard wizardry, sharp wit, and teaching philosophies, formed Bass Extremes, and the instrument and its community were forever transformed. The concept was quite ambitious. Steve was a rapidly ascending anchor for Dizzy Gillespie, Paquito D'Rivera and the Rippingtons, who had found his voice on the 6-string fretless bass and was taking the instrument to uncharted heights, with a soon to ...


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