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Gonzalo Rubalcaba, Chris Potter, Larry Grenadier & Eric Harland: First Meeting: Live at Dizzy’s Club
by Mike Jurkovic
Let us not beat around the bush or obfuscate the obvious: First Meeting: Live at Dizzy's Club is as sweet a listen anyone can wish for or expect as simpatico luminaries--pianist Gonzalo Rubalcaba, saxophonist Chris Potter, bassist Larry Grenadier and drummer Eric Harland--take to Dizzy's stage. And command it, but not with a heavy hand or selfish aspirations. A dazzling portent, First Meeting: Live at Dizzy's Club opens all the doors and windows facing Columbus Circle and lets a most ...
Continue ReadingJason Palmer: The Cross Over: Live in Brooklyn
by Troy Dostert
For a label that just got its start in 2018, it has quickly become evident that Giant Step Arts brings a potent, focused discipline to its documentation of some of the most distinctive jazz talents of our time. Rather than covering the field with as many different musicians as possible, the label's founder, Jimmy Katz, has chosen instead to cultivate close relationships with a relatively modest number--foremost of whom is trumpeter Jason Palmer, who has released three discs on the ...
Continue ReadingCharles Lloyd: The Sky Will Still Be There Tomorrow
by Chris May
Those of us who were going to jazz festivals in summer 1966, and were lucky enough to catch the Charles Lloyd Quartet, will likely have one tune in particular imprinted on our memories. That was because “Forest Flower" so precisely reflected the acid-drenched zeitgeist blossoming in Europe and the US. Lloyd, Keith Jarrett, Cecil McBee and Jack DeJohnette recorded the piece at the Monterey festival in September 1966, and when Forest Flower was released in early 1967, it was the ...
Continue ReadingCharles Lloyd: The Sky Will Still Be There Tomorrow
by Mike Jurkovic
For a long, grateful while now the music of Charles Lloyd has rippled out from that rarified space where the ego does not prevail. A pool of depth and wonder which culminates in one masterful artwork after another, for example Wild Man Dance (Blue Note, 2015) and 8: Kindred Spirits Live from the Lobero Theater (Blue Note, 2019). Lloyd's eleventh Blue Note album, the double disc set The Sky Will Still Be There Tomorrow is also his first ...
Continue ReadingPeter Beets: New York Trio Page Two
by C. Andrew Hovan
In its relatively short history, American jazz music has established a language that while having some ties to the European tradition is more fully rooted in the rhythms and folk melodies of the African slaves. What is even more significant is the profound impact that the music and musicians have had in breaking social boundaries such as race, culture, and ethnicity. Way before there were even the thoughts of equal opportunities for all individuals in the American South, Benny Goodman ...
Continue ReadingJakob Bro, Joe Lovano: Once Around the Room - A Tribute To Paul Motian
by Angelo Leonardi
Il magistrale percorso da leader di Paul Motian, esploso negli anni ottanta nel trio con Joe Lovano e Bill Frisell, ha avuto significativi tributi a partire dal 2011, l'anno della sua scomparsa: ricordiamo lo String Choir di Joel Harrison, il collettivo Motian Sickness di Jeff Cosgrove, il solo piano di Russ Lossing (Drum Music) e quello successivo di Jean-Marc Padovani (Motian in Motion). Rispetto a questi, il tributo del collettivo guidato da Joe Lovano e Jakob Bro ...
Continue ReadingJakob Bro / Joe Lovano: Once Around the Room
by Mike Jurkovic
The thrumming double basses of Larry Grenadier and Thomas Morgan initiate the conversation. Then the scattered insistence of rhythm by drummers Joey Baron and Jorge Rossy enters, pushing Once Around the Room into consciousness with all the anticipation and hushed intent of an orchestra tuning before a performance. Airy clusters of guitar courtesy of Jakob Bro and electric bassist Anders Christensen introduce Joe Lovano's aching call summoning the spirit to make known “As It Should Be," the first of the ...
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