Home » Jazz Articles » Lage Lund
Jazz Articles about Lage Lund
Jaleel Shaw: Painter Of The Invisible
by Carl Medsker
For twenty years, Jaleel Shaw has steadily built a robust career that includes a lengthy apprenticeship with Roy Haynes, steady work as an in-demand sideman and mentoring the next generation at the Manhattan School of Music. Painter Of The Invisible caps two years of significant events: Dave Holland enlisted him in his 2024 quartet along with Kris Davis and Nasheet Waits, after which he fronted a band at the 2024 Newport Jazz Festival for the first time. Then, in March ...
Continue ReadingThe Fury: Live in Brooklyn
by Alberto Bazzurro
È quella del chitarrista Lage Lund la firma principale di questo album squisitamente corale (fin dal nome in ditta): tre dei sette brani complessivi sono infatti suoi, due di Mark Turner, uno del contrabbassista Matt Brewer, e in più c'è l'unico brano non dovuto a membri del gruppo, il primo, a firma del sassofonista Myron Walden. Il linguaggio che ne risulta è del tutto coeso, congruo, un linguaggio che definiremmo “medio" (che non significa mediocre, attenzione), non particolarmente ...
Continue ReadingMelissa Aldana: Echoes Of The Inner Prophet
by Mike Jurkovic
Grammy-nominated saxophonist Melissa Aldana was all of maybe 21 going on 22 in 2010 when her Inner Circle Records arrival, Free Fall, caught many a discerning ear with its surprisingly earthy and assured lines and tangents. Her first for Blue Note, 2022's 12 Stars, displayed much the same but with a more resolute, restorative, established tone. As exhibited on such artistic statements as 12 Stars and 2019's Visions (Motema Music), Aldana relishes her sojourns and residencies in the ...
Continue ReadingLage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On the other hand, it is the mere vulnerability of the format that can challenge all but the most seasoned musicians. With its ...
Continue ReadingLage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On the other hand, it is the mere vulnerability of the format that can challenge all but the most seasoned musicians. With its ...
Continue ReadingSeamus Blake: Bellwether
by C. Andrew Hovan
The music speaks for itself. This timeworn axiom has often served as a suggestion that there's an intangible aspect to music's universal language that is somehow beyond mere words. In some cases this may be true, but on the other hand, this outlook has occasionally in the past served as a viable excuse for justifying music of a somewhat dubious nature.In recently talking with saxophonist Seamus Blake by phone from Vancouver, it occurred to me that his “less ...
Continue ReadingMelissa Aldana: 12 Stars
by Chris May
Before we get into tenor saxophonist Melissa Aldana's album--which is excellent, so hang on in there--a word about press releases and publicity campaigns. Specifically, those from Blue Note. The label's headquarters in Los Angeles is in danger of becoming known for award-winning b.s. in this regard, as demonstrated during the campaign for Aldana's label debut. Here is an example: 12 Stars, we are told, “grapples with concepts of childrearing, familial forgiveness, acceptance, and self-love." Given that there is ...
Continue Reading
