Jazz Articles about Kurt Elling

JoAnne Brackeen: Pink Elephant Magic

by Jim Santella
May 1, 1999

From the march tempo and hard bop power of “Pink Elephant Magic" to the drifting ballad waltz time of “Filene’s," JoAnne Brackeen’s latest album covers a lot of territory. The pianist’s seven compositions, coupled with three familiar pieces, provide variety and result in a well-rounded set. Bret Primack’s informative liner notes are available on the ‘net at http://www.arkadiarecords.com . Brackeen has a forceful keyboard style that drives her ensemble with percussive power. Her thirty-year career includes experience with Art Blakey, ...

Joanne Brackeen: Pink Elephant Magic

by Bob Margolis
April 1, 1999

A Master pianist other than a Flanagan, or a Peterson, is faced with the daunting task of recording something that separates them but allows for their brilliance to shine through. The subject of this piece has consistently been able to do this, primarily using vehicles other than the trio or solo format. Putting together perhaps her finest band since the late 1980's quartet featuring Billy Hart, Cecil McBee and Gary Bartz, pianist and composer Joanne Brackeen has just put out ...

Kurt Elling: This Time It's Love

by Jim Santella
September 1, 1998

You've got to give Kurt Elling credit for following his heart instead of going along with some probable advisor's likely “marketing plan for instant success in the new millennium." – he decided to make his third album one of love songs, and postpone some of his more adventurous work for later.

Still, this session is a mixture of standards and originals, with support from an excellent Chicago ensemble, and Elling's standard delivery is far from just ordinary. Assisting the jazz ...

Kurt Elling: The Messenger

by Jim Santella
July 1, 1997

Kurt Elling is different. He rants. In the liners, the singer defines the term to mean “improvising both the melody and lyrics simultaneously." With saxophonist Ed Peterson conversin', Elling shouts unrelated words and phrases as they pop into his mind. “Icebergs." “Viruses." “Planets." “Ice cream." Peterson is improvising, Elling is shouting, and he is also crooning traces of melodic lines around and through the conversation. Add piano, bass, and drums to this demonstration, and you have the quirkiness of Kurt ...