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Jazz Articles about Julia Hulsmann

273
Album Review

Julia Hulsmann Trio: Imprint

Read "Imprint" reviewed by John Kelman


Longevity is tough to maintain, in a time when artists largely need to work with a variety of projects to make a living, but there are increasing (and encouraging) signs of the value placed on chemistry and the kind of collective voice that evolves naturally, over time. German pianist Julia Hülsmann has maintained the same trio lineup for 15 years, though her early releases on the ACT label were augmented with vocalists and, in the case of Good Morning Midnight ...

117
Album Review

Julia Hulsmann: Imprint

Read "Imprint" reviewed by Jonathan Wertheim


Manfred Eicher's Munich-based ECM Records specializes in spacious, absorbing records that reveal their inner workings, labyrinth-like, over the course of many listens. Some releases reveal themselves from the first note; with others, it can take years. Pianist Julia Hülsmann's sixth record--and second for ECM--Imprint, manages both. Hülsmann's trio isn't new--it has had more than a decade to establish its stylistic identity. But when the ensemble moved to ECM, releasing its label debut, The End of a Summer, ...

270
Album Review

Julia Hulsmann Trio: The End of a Summer

Read "The End of a Summer" reviewed by Dan McClenaghan


ECM Records stalwarts like Bobo Stenson, Tord Gustavsen and Keith Jarrett have, over the years, helped to define the German label's high quality artistry in the piano arena. And then there are the new players who offer up gorgeously compelling debuts that point in the direction of the future. In 2007 it was Anat Fort, with her exquisite A Long Story. In 2008 the label shines its debut spotlight on the Julia Hulsmann Trio with The End of a Summer.

288
Album Review

Julia Hulsmann Trio With Roger Cicero: Good Morning Midnight

Read "Good Morning Midnight" reviewed by Chris May


Emily Dickinson isn't the first name to spring to mind when you're thinking poetry and jazz. Rural (she lived in Amherst, Massachusetts all her life), introspective, and of strict Calvinist upbringing, Dickinson and jazz sound about as likely as Baz Lurman and a biopic about St Francis of Assissi.

But the unlikeliest of bedfellows sometimes make the sweetest music, and Julia Hulsmann's Good Morning Midnight is such a union: soulful, sinewy piano trio jazz, set around ten Dickinson poems plus ...


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