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Jazz Articles about Joost Lijbaart

24
Album Review

Yuri Honing Acoustic Quartet: Bluebeard

Read "Bluebeard" reviewed by Bruce Lindsay


Mournful. That's the adjective that springs to mind when Dutch musician Yuri Honing blows his saxophone on Bluebeard. “Blows" is something of a mis-description though: Honing's considered approach to his instrument is closer to caressing. His sound and approach are mirrored by his bandmates, who are equally adept at such a distinctive form of creativity. The resulting album is the perfect partner for a few minutes of quiet, individual, reflection—an ideal way to diminish stress and wallow in the beauty ...

5
Multiple Reviews

Joost Lijbaart: Under The Surface

Read "Joost Lijbaart: Under The Surface" reviewed by Mark Sullivan


Dutch drummer Joost Lijbaart (known for his work with Dutch saxophonist Yuri Honing) first performed with this trio at the request of vocalist Sanne Rambags, along with guitarist Bram Stadhouders (known for his work with the Netherlands chamber choir, American drummer Jim Black and Norwegian vocalist Sidsel Endresen). At the time Rambags was twenty years old, Stadhouders thirty, and Lijbaart fifty, so the band could truly be described as a “three generations band." The group immediately established enough ...

1
Radio & Podcasts

Under the Surface

Read "Under the Surface" reviewed by BIMHUIS


Under the Surface was formed by drummer Joost Lijbaart (known as a member of Yuri Honing's bands, young vocalist Sanne Rambags (winner of the Conservatorium Talent Award 2017) and guitarist Bram Stadhouders (who previously collaborated with Netherlands Chamber Choir, Jim Black and Sidsel Endresen). They have developed what they consider to be a 'universal language,' with their exceptional ensemble playing. Sanne Rambags is one of the few singers of her generation who's able to improvise in ...

7
Album Review

Joost Lijbaart: Under The Surface

Read "Under The Surface" reviewed by Ian Patterson


Silence frames music--before it sounds and after the final vibration of the last note has died. Often associated with an absence of communication, silence is also revered in certain communal ritual/cultural spaces. Poetic or damning, eerie or calming, silence never leaves us indifferent. Some composers have embraced it to a significant degree as part of the compositional process, John Cage's “4'33" being surely the most famous example. With Under the Surface Dutch drummer/percussionist and composer Joost LIjbaart embraces silence as ...


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