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Jazz Articles about Jonas Kullhammar

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Album Review

Jonas Kullhammar Quartet: Låt Det Vara

Read "Låt Det Vara" reviewed by Mark Corroto


If someone told you that jazz wasn't invented in America, you would say they were crazy. Insane. Next thing they might submit is that Christopher Columbus didn't discover the New World. Oops, okay discounting the Native Americans already here, there's that Scandinavian guy Leif Ericson that came through the East Village about 500 years before Chris. That's why you might avoid any musical debate over the finest tenor saxophonists working in jazz today. When fans declare the Swedes, ...

Album Review

Jonas Kullhammar: Lat Det Vara

Read "Lat Det Vara" reviewed by AAJ Italy Staff


Lat Det Vara si può considerare la traduzione svedese del beatlesiano Let It Be. Ma i riferimenti ai baronetti di Liverpool non si fermano qui perché l'immagine di copertina riprende pari pari quella del leggendario album, con i volti dei fab four sostituiti da altrettanti camaleontici ritrattati di Jonas Kullhammar, leader di questo quartetto svedese. E come Let It Be sancì lo scioglimento dei Beatles così Lat Det Vara - insieme a due LP in versione limitata uno dei quali ...

Album Review

Jonas Kullhammar - Espen Aalberg - Torbjorn Zetterberg: Basement Sessions - Vol. 1

Read "Basement Sessions - Vol. 1" reviewed by AAJ Italy Staff


Curiosando tra le pagine del suo sito dalla grafica psichedelica si scopre che il sassofonista svedese Jonas Kullhammar ha partecipato a qualcosa come centoquaranta incisioni ed in patria è un vero e proprio idolo. Dalle nostre parti è pressoché sconosciuto ed è un peccato perché questo Basement Sessions - Vol. 1, registrato negli studi Moserobie di Stoccolma, ne evidenzia il notevole talento. Il disco è una session sax-basso-batteria che si rifà ai classici modelli anni cinquanta (il Rollins di A ...

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Multiple Reviews

The State of Jonas Kullhammar's Moserobie 2010

Read "The State of Jonas Kullhammar's Moserobie 2010" reviewed by Mark Corroto


The brainchild of Swedish saxophonist Jonas Kullhammar, Moserobie Music has released nearly one hundred discs to date in May 2010. Kullhammar's vision to “save the world through good music" might be a bit ambitious, but perhaps the venture is more important than the destination. Moserobie has released music by familiar names including saxophonist Hakon Kornstad and pianist Havard Wiik. The label's strength is its adventure-loving character, allowing for experimentation and an unmistakable penchant for making pleasurable music.Jonas Kullhammar ...

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Extended Analysis

The Half Naked Truth (1998-2008)

Read "The Half Naked Truth (1998-2008)" reviewed by Marc Medwin


Jonas Kullhammar The Half Naked Truth (1998-2008) Moserobie 2009

In celebration of its tenth anniversary, Swedish saxophonist Jonas Kullhammar's quartet drops an eight-disc set of live tracks and studio recordings. It traces the group's development as this energetic quartet comes to terms with a formidable musical legacy that includes everything from bebop virtuosity to New Thing exploration. The fact that their music is successful speaks to how well they have assimilated and ...

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Album Review

Jonas Kullhammar Quartet: The Half Naked Truth 1998-2008

Read "The Half Naked Truth 1998-2008" reviewed by Mark Corroto


Sometimes self indulgence is worth it. It is not decadence or overt extravagance for the Jonas Kullhammar Quartet to release an eight-CD boxset on the tenth anniversary of their association. In fact, the success of The Half Naked Truth 1998-2008 could result in inquiries into the remainder of the 40 hours of live recordings and session out-takes that were passed over to make up this collection of 66 songs.The music is that good.In ten years this ...

203
Album Review

Jonas Kullhammar: Son of a Drummer

Read "Son of a Drummer" reviewed by Clifford Allen


Over the past several years, jazz fans have been quite lucky to hear a significant amount of new work from Scandinavian improvisers. However, most of the Scandinavian improvisers who have cracked the international jazz scene are committed to free improvisation. Those who embrace more traditional roots, while still dedicated to pushing at the boundaries of those roots, are not mentioned in the same breath as Mats Gustafsson or his compatriots. Swedish tenor man Jonas Kullhammar is one of a small ...


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