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Jazz Articles about Jon Rune Strøm
Rodrigo Amado Northern Liberties: We Are Electric
by Mark Corroto
The predicament with modern albums is that an album is often more than just one album. With the advent of streaming music, and compact discs before it, music expands beyond the unit we traditionally designated as side one or side two of an LP. A perfect example of this concept is We Are Electric by the Portuguese-Norwegian collaboration Rodrigo Amado Northern Liberties. Three of the four tracks here could easily be considered a freestanding LP side and, if that were ...
Continue ReadingRodrigo Amado Northern Liberties: We Are Electric
by Troy Dostert
By all accounts, 2021 was a very good year for Rodrigo Amado. One of the leading lights of the Portuguese avant-garde, the indefatigable tenor saxophonist first released The Field (NoBusiness), featuring his Motion Trio (with cellist Miguel Mira and drummer Gabriel Ferrandini) alongside guest pianist Alexander von Schlippenbach, and Let the Free Be Men (Trost), with his now-frequent collaborators saxophonist Joe McPhee, bassist Kent Kessler and drummer Chris Corsano. But if these two albums come to overshadow We Are Electric, ...
Continue ReadingFriends & Neighbors: The Earth Is #
by Mark Corroto
The importance of choosing a name for your jazz band is often underestimated. Take the quintet Friends & Family for instance. When it was formed in 2008, it wasn't dubbed the André Roligheten Quintet or the Oscar Grönberg Band. No. From its beginnings, the quintet shared composing duties among its members as well as dutiful deference to each musician's sound. Proof of this friendship among neighbors (all live in Norway) is a string of excellent releases. The Earth Is # ...
Continue ReadingJon Rune Strøm Quintet: Fragments
by John Sharpe
Norwegian bassist Jon Rune Strøm, subscribes to none of the self-effacement which sometimes manifests itself on dates led by rhythm section mainstays. That is signaled straight away on the first cut of Fragments, where no other instrument is heard for the first six minutes. With bow in hand, he initially duets with fellow bassist Christian Meaas Svendsen, first mining the upper registers but then pursuing diverging seams. Then Strøm alone carves out a robust pizzicato solo which culminates in a ...
Continue ReadingJon Rune Strøm: Jøa
by Eyal Hareuveni
Norwegian double bassist Jon Rune Strøm's energetic and highly rhythmic playing approach on the bull fiddle, sets him apart from other young fellow Norwegian double bass players who explore the solo medium or the sonic capabilities of this massive instrument in intimate settings as Christian Meaas Svendsen, Adrian Myhr, or Inga Margrete Aas. The 29 year old Strøm draws inspiration from free jazz pioneers such as the young Gary Peacock and free improvisation great Peter Kowald}. He demonstrates his playing ...
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