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Jazz Articles about John Webber


About John Webber

10

Liner Notes

One For All: Big George

Read "One For All: Big George" reviewed by C. Andrew Hovan

by C. Andrew Hovan

The world has changed dramatically since the end of the 20th century, the time period when the jazz collective One For All began to forge their stamp on the history of hard bop. Using the club Augie's on New York's upper west side as their stomping grounds, the group would make their debut recording at the beginning of 1987. The Broadway club would eventually become home of Smoke, one of the gems of the city's jazz scene and continued purveyor ...

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17

Album Review

One for All: Big George

Read "Big George" reviewed by Joshua Weiner

by Joshua Weiner

Smoke Sessions Records, based out of NYC's Smoke Jazz Club, has a fascinating recording model: artists play a few nights at the club, take a day off, and then go into a studio such as the famous Sear Sound to record their repertoire for release. They been putting out some excellent material, the latest of which is the first album in seven years from the sextet One for All. The title, Big George, reveals what sets this one apart from ...

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9

Liner Notes

Reeds and Deeds: Cookin'

Read "Reeds and Deeds: Cookin'" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Chances are that if you're reading these notes right now you're more than a bit familiar with the talents of tenor saxophonists Eric Alexander and Grant Stewart and might even have picked up Wailin' (Criss 1258), their first effort together leading a quintet billed as Reeds and Deeds. As such, it would probably be redundant to go into detailed biographical sketches of each of these men. Suffice it to say that Alexander just might be one of the most recorded ...

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4

Liner Notes

David Hazeltine: Inversions

Read "David Hazeltine: Inversions" reviewed by C. Andrew Hovan

by C. Andrew Hovan

It's often said that those with enviable skills make the most sophisticated actions look easy. Be it glass blowing or ice-skating, what appears to be within the grasp of the novice often involves an underlying complexity not readily apparent at first. The same could be said of higher forms of music such as classical and jazz. What might seem simplistic or straightforward on the surface, actually involves a highly refined degree of mastery that's akin to a magician's flick of ...

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23

Album Review

Doug Lawrence: Doug Lawrence & Friends

Read "Doug Lawrence & Friends" reviewed by Jack Bowers

by Jack Bowers

If the name Doug Lawrence doesn't sound familiar, the name Count Basie surely should. What is the Lawrence- Basie connection? Well, for more than two decades Lawrence has been the featured tenor saxophone soloist with the renowned and still- active Count Basie Orchestra, a chair once impressively occupied by the likes of Lester Young, Eddie “Lockjaw" Davis, Lucky Thompson, Wardell Gray and Frank Foster, among others. When someone has been around as long as Lawrence, he or she makes a ...

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7

Album Review

Harold Mabern: Mabern Plays Coltrane

Read "Mabern Plays Coltrane" reviewed by Mike Jurkovic

by Mike Jurkovic

As is too often the case, we gain more and more respect and insight into an artist after he or she has passed away. Harold Mabern may have been overshadowed by many of his peers but he remained true to himself: bringing to the music a Memphis-bred hard bop blues and flourishing as both sought after sideman and impish, emphatic leader. Mabern never let you forget that, by all accounts, he was a generous, joyous man who reveled ...

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20

Album Review

Mike LeDonne: It's All Your Fault

Read "It's All Your Fault" reviewed by Jack Bowers

by Jack Bowers

Even though listed on only four tracks, organist Mike LeDonne's superlative Groover Quartet performs on every one of the nine selections on LeDonne's admirable new recording, It's All Your Fault--and that's a good thing, as each member of the quartet (LeDonne, tenor saxophonist Eric Alexander, guitarist Peter Bernstein, drummer Joe Farnsworth) is an accomplished soloist and ardent team player. On the album's remaining tracks, the quartet is assimilated into LeDonne's seventeen- member big band, a taut and high-powered unit that ...

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