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Richard Baratta: Off The Charts
by Pierre Giroux
The premise for Richard Baratta's Off The Charts is to give new life to some of the lesser-known works by boldface composers such as Wayne Shorter, Bobby Hutcherson and Chick Corea, among others. Assisting in this voyage of rediscovery are several top-notch jazz luminaries such as tenor saxophonist Jerry Bergonzi, pianist David Kikoski, bassist John Patitucci and percussionist Paul Rossman. All of the arrangements are by Baratta, save one, and that is the opening Hutcherson number “Herzog," which ...
Continue ReadingRichard Baratta: Off The Charts
by Neil Duggan
After more than three decades as a Hollywood film producer, drummer Richard Baratta seemed ideally placed to bring together the worlds of film and jazz, releasing two albums focusing on songs from the movies. The first of these, Music In Film: The Reel Deal (Savant Records, 2020) gained a Grammy nomination for pianist Bill O'Connell's arrangement of the Euphemia Allen composition, “Chopsticks." Baratta followed this up with Music in Film: The Sequel. His third album, Off The Charts, changes focus ...
Continue ReadingCharu Suri: Rags & Ragas
by Dan McClenaghan
To paraphrase an old saying: You can take the girl (geographically) away from the raga, but you cannot take the raga away from the girl... Pianist Chatu Suri was born in India, where the raga holds sway, and she listened to the ragas her father played on the radio. But she left her homeland and has lived in four continents. New York, at this writing, is her current home. But the raga has stayed with her, on her ...
Continue ReadingCharu Suri: Raga Rag No. 1 (Bhimpalas)
by Dan McClenaghan
Pianist Charu Suri was raised in Chennai, India, a place that influenced her artistry. New Orleans, another of her influences, lies a hemisphere away. A transplant from India to the United States, Suri brought the musical roots of Hindustani (North Indian) music to her new home. When she found her way to the Big Easy, she took in the Preservation Hall Jazz Band, and the marriage between the New Orlean sound and Indian raga began. “Raga Rag ...
Continue ReadingDan Costa: Beams
by Craig Arthur
UK-born pianist Dan Costa plays and composes in the impressionistic tradition of Bill Evans, acoustic Herbie Hancock, Chick Corea or Marcin Wasilewski. It is a style that lends itself well to the alchemy of turning light into music, music into light. And his subject matter of choice on Beams, like that of an impressionist painter, is indeed light. He describes the album as “a celebration of light in some key physical and metaphysical forms." Light is like water, ...
Continue ReadingBass Extremes: S'Low Down
by Chris Jisi
Thirty years ago, a simple pairing changed the trajectory of bass. Steve Bailey and Victor Wooten, bonded by their mutual fretboard wizardry, sharp wit, and teaching philosophies, formed Bass Extremes, and the instrument and its community were forever transformed. The concept was quite ambitious. Steve was a rapidly ascending anchor for Dizzy Gillespie, Paquito D'Rivera and the Rippingtons, who had found his voice on the 6-string fretless bass and was taking the instrument to uncharted heights, with a soon to ...
Continue ReadingMarco Pacassoni: Life
by Mark Corroto
There are several types of triangles. Isosceles triangles have two sides of equal length and scalene triangles have no side or angles that are similar. Triangles are germane to this review because Marco Pacassoni's album with bassist John Patitucci and drummer Antonio Sanchez appears to maintain the status of an equilateral triangle throughout the performance. The trio maintains a balance of equal angles and sides throughout the recording. Patitucci and Sanchez are veterans and established names in music. ...
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