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Album Review

Spinifex: Undrilling the Hole

Read "Undrilling the Hole" reviewed by Vincenzo Roggero


Spinifex è un gruppo eterogeneo per esperienza e per provenienza geografica, con base ad Amsterdam, che con Undrilling the Hole giunge alla nona pubblicazione, la quinta con questa formazione, un sestetto con tre fiati, sezione ritmica e chitarra. A differenza dei precedenti album nei quali le composizioni provenivano dalla penna di diversi componenti del gruppo, in quest'ultimo la scrittura è tutta appannaggio di Tobias Klein, il fondatore nel lontano 2010 dell'ensemble, allora in forma di nonetto. Questa novità ...

5
Album Review

Dikeman / Hong / Lumley / Warelis: Old Adam On Turtle Island

Read "Old Adam On Turtle Island" reviewed by Mark Corroto


The creative community centered in Amsterdam, Netherlands, can be seen as the modern-day equivalent of a city once known as New Amsterdam--a 17th-century Dutch settlement that would eventually become New York City. Just as modern jazz flourished in mid-20th-century New York, some might argue that today's hotbed of creative music resides in old Amsterdam. Evidence for this can be found in Old Adam on Turtle Island, a stunning musical creation by a multicultural quartet. Led by American saxophonist ...

9
Album Review

Spinifex: Undrilling the Hole

Read "Undrilling the Hole" reviewed by Lawrence Peryer


The Amsterdam-based sextet Spinifex borrowed their name from a hardy Australian grass known for thriving in harsh conditions. For nearly two decades, they have forged original music from seemingly incompatible elements--mathematical structures, punk aggression, free jazz fire. Their ninth album, Undrilling the Hole, presents seven new compositions from alto saxophonist Tobias Klein that showcase the band's singular musical vocabulary. Mathematics shapes Klein's compositions, but not in obvious ways. “Nothing fancy," Klein explains. “The basic proportions=-twos and threes, sometimes ...

5
Album Review

John Dikeman, Pat Thomas, John Edwards, Steve Noble: Volume 2

Read "Volume 2" reviewed by John Sharpe


An incendiary outfit returns for a second volume (perhaps the second set?) of free jazz mayhem from London's Cafe Oto, recorded in February 2019. It comprises four players, each with a big sound, regardless of amplification, and a big personality to match--Amsterdam-based American John Dikeman, on tenor saxophone, and the British threesome of Pat Thomas (hailed by drummer Tyshawn Sorey as one of the best in the world, following their duet in the 2023 London Jazz Festival) on piano, John ...

Album Review

Orquesta del Tiempo Perdido: Sepk

Read "Sepk" reviewed by Alberto Bazzurro


Un'aria vagamente zappiana, ma del resto prossima anche a svariati altri (eventuali) referenti fra quanti amino mettere a “friggere" insieme ingredienti di diversa provenienza (colpendo fin da una copertina abbastanza sorprendentemente à la Baglioni degli anni d'oro...) è quanto ci arriva da questo singolare album olandese (ma portoghese per produzione), il terzo dell'ensemble diretto dal chitarrista-tuttofare Jeroen Kimman. Nel mare magnum dei dodici brani proposti, tutti targati Kimman (due decisamente ampi, gli altri molto meno), si respirano ...

7
Album Review

Luis Vicente 4tet: House In The Valley

Read "House In The Valley" reviewed by John Sharpe


Portuguese trumpeter Luis Vicente wrote the four compositions which make up House In The Valley during lockdown. His intention was to evoke childhood memories of times at his grandparents' rural house. Judging from the outcomes there must have been a lot of '60s American New Thing on the turntable at the time. In particular the way the group realizes Vicente's melodies recalls Don Cherry's outings from that period such as Complete Communion (Blue Note, 1966) and Symphony For Improvisers (Blue ...

5
Album Review

John Dikeman / Pat Thomas / John Edwards / Steve Noble: Volume2

Read "Volume2" reviewed by Mike Jurkovic


If ever oh ever there was a more ornery conversation between four highly-charged, time-defiant individuals, Volume2 sets the mark. Arguing, as great men do, about all things seen and unseen, secular and sublime, consummate free jazzers saxophonist John Dikeman, pianist Pat Thomas, bassist John Edwards and drummer Steve Noble circle the wagons once again at London's Cafe Otto and chase the demons and angels that co-inhabit each and every one of us. “No," its half-hour plus mad rush mix of biblical ...


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