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Jazz Articles about John Coltrane

789
Extended Analysis

John Coltrane: Fearless Leader

Read "John Coltrane: Fearless Leader" reviewed by John Kelman


John Coltrane Fearless Leader Prestige Records 2006

By the time saxophonist John Coltrane headed into the studio in May of 1957--for the first of nine sessions as a leader that would result in eleven albums released on Prestige between 1957 and 1965-- his reputation was already well-established.

Coltrane was now a member of trumpeter Miles Davis' first quintet with pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones, having recorded three mammoth ...

718
Extended Analysis

John Coltrane: Fearless Leader

Read "John Coltrane: Fearless Leader" reviewed by Norman Weinstein


John Coltrane Fearless Leader Prestige 2006

This six-CD set of all of the original Prestige albums led by John Coltrane comes as a relief after the previous sixteen-disc box of every one of his preserved recordings on the label, as leader or sideman. Putting aside the daunting cost of that huge collection, there was a fair amount of dross, at least to these ears--the session under Kenny Burrell's name and blowing sessions with Al ...

326
Live Review

A Love Supreme on the Paris Stage

Read "A Love Supreme on the Paris Stage" reviewed by Jeff Dayton-Johnson


Congolese writer Emmanuel Dongala's novella “A love supreme" (1982) is the most moving and apposite tribute to the achievement of John Coltrane, in any medium, that I know. The account of a pair of encounters between a young African expatriate in New York and John Coltrane, motivated by the death of the latter in July 1967, exhibits an earnest sincerity toward the era so touching that it might almost be mistaken for parody by readers more accustomed to a jaded ...

542
Extended Analysis

Miles Davis: The Legendary Prestige Quintet Sessions

Read "Miles Davis: The Legendary Prestige Quintet Sessions" reviewed by Doug Collette


The Miles Davis Quintet The Legendary Prestige Quintet Sessions Prestige Records 2006 (1955-56)

Adorned by a painting rendered by the man with the horn himself, the elegant understatement of the packaging of The Legendary Prestige Quintet Sessions is wholly in line with the music it contains. The four-CD set--the latest chapter in the seemingly endless, but well justified, series of homages to Miles Davis--captures the entire output of Davis' mid ...

496
Book Review

The House That Trane Built: The Story Of Impulse Records

Read "The House That Trane Built: The Story Of Impulse Records" reviewed by Suzanne Lorge


The House That Trane Built: The Story Of Impulse Records Ashley Kahn Hardcover; 340 pages W.W. Norton & Co. Inc. 2006

Author Ashley Kahn's latest contribution to the documentation of jazz history is The House That Trane Built: The Story Of Impulse Records, a chronicle of the rise of Impulse Records in the '60s and '70s. Impulse Records occupied a unique place in the development of jazz for the sheer variety of ...

705
Album Review

The Miles Davis Quintet: Miles Davis: The Legendary Prestige Quintet Sessions

Read "Miles Davis: The Legendary Prestige Quintet Sessions" reviewed by C. Michael Bailey


The noted Irish-American author Thomas Cahill has written a series of books called “The Hinges of History" where, instead of concentrating on war, outrage, and catastrophe, the author illuminates stories of grace, great gift-givers and the evolution of our human sensibility. Cahill brings to life those personalities who had the greatest impact on who we are. In the realm of jazz music, we have an artist who regularly installed hinges in the history of American music. He ...

650
Album Review

John Coltrane: One Down, One Up: Live at the Half Note

Read "One Down, One Up: Live at the Half Note" reviewed by John Kelman


How times have changed. These days, when a group is to be recorded for broadcast, it's often at the mercy of the people making the recording. Sets have to be altered, sometimes significantly so, in order to package the performance so that it's “broadcast-ready. The process can be so intrusive that artists like guitarist Pat Metheny speak about self-editing when they know they're to be recorded.

Not so in 1965, when two separate performances of saxophonist John Coltrane's classic quartet ...


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