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John Coltrane: Offering: Live At Temple University
by Robert Bush
Discovering unheard John Coltrane material is the Holy Grail for serious music devotees, and the imminent release (Sept.23,2014) of a 1966 live date in the form of Offering: Live at Temple University on the Impulse! label (in conjunction with Resonance Records and Universal Music) to join The Olatunji Concert and One Down, One Up Live at the Half Note in the Coltrane archive is good news, indeed, for those wishing to explore the iconic saxophonist's later years. Adding significantly to ...
Continue ReadingThe Fire in Coltrane’s Lungs
by Larry Jaffe
When the horn sounds the jazz begins Unity rediscovered A crisscross divergence of souls Coltrane steals the birthright of his heritage makes it into music The horn blasts loud and not so pure-- Life lives between the notes not at the end of the song Painfully hidden tones magically appear dragged out one by one by one breathless gasps of tonal agony Coltrane plays tears of subjugation between notes of joyous rhapsody
Continue ReadingJohn Coltrane: Live at Birdland
by Nenad Georgievski
Historically important recordings by artists that are still celebrated today in most cases are those that have transcended the times they were made in. In those cases are seen more as milestones that mark their progress and advancement as artists. Such is the case with saxophonist John Coltrane where each record in his cannon indicates his progress, insatiable curiosity, zealous dedication and appetite for music. Consequently, this semi live recording Live at Birdland is another stop for him and his ...
Continue ReadingTony Whyton: What Does Jazz Do For You?
by Ian Patterson
[The first installment of interviews with leading jazz academics as part of All About Jazz's new Rethinking Jazz Cultures series begins with Professor Tony Whyton, Director of the Salford Music Research Centre at the University of Salford.] Wherever you stand on what constitutes jazz music, jazz history and its great historical figures/landmark recordings, Tony Whyton invites you to think again. Whatever your views on jazz criticism, literature and photography, Whyton might just make you see things in a ...
Continue ReadingJohn Coltrane: Afro Blue Impressions
by C. Michael Bailey
John ColtraneAfro Blue ImpressionsOJC1963/2013 When considering the panoply of music living beneath the banner of Concord Music Group, there should be no problem understanding the company's reissue policy, which has been curious. Any wrinkles in such logic smooth out when anniversaries are celebrated. Concord recently acknowledged what is the first of several remastered groups of recordings celebrating Riverside Records 60th anniversary with the copious release of remastered albums of Julian Cannonball ...
Continue ReadingBeyond A Love Supreme
by Tony Whyton
The following is an excerpt from “Composition/Improvisation" chapter of Beyond A Love Supreme by Tony Whyton (Oxford Univ. Press, 2013). Composition/Improvisation A good example of the way in which binaries shift according to context can be seen when A Love Supreme is described either as a composition or an improvisation. Conventionally, jazz is foregrounded as a live improvised art that is the product of spontaneous creation and inspired performers. When great jazz compositions are created, ...
Continue ReadingBeyond A Love Supreme: John Coltrane And The Legacy Of An Album
by Ian Patterson
Beyond A Love Supreme:John Coltrane And The Legacy of An Album Tony Whyton Pages: 176 ISBN: 978-0-19-973323-1 Oxford University Press 2013 Few jazz icons have cast such a long shadow as saxophonist John Coltrane. Since his death at the age of 40 in 1967, his sound has influenced legions of saxophonists and his legend has only grown. And arguably, with the exception of trumpeter Miles Davis, no other ...
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