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Joe Magnarelli: Concord
by David A. Orthmann
Throughout a career spanning over four decades, much of it spent in the trenches of New York City's notoriously competitive jazz scene, trumpeter/flugelhornist Joe Magnarelli has established a distinct identity within the broad parameters of the bop and hard bop idioms. Concord, Magnarelli's third release for the venerable SteepleChase Productions imprint, arguably his finest work in the studio, contains his virtues in spades. The disc's ten tracks serve as a reminder that, for all these years, he has not been ...
Continue ReadingMark Sherman: Bop Contest
by Jack Bowers
Following four well-received albums on which he played piano, the versatile Mark Sherman has placed the keyboard in the capable hands of Donald Vega and returned to his main instrument, the vibraphone, for the eloquent and delightful Bop Contest, Sherman's twenty-second recording in a prestigious career that has spanned nearly half a century. Although Sherman has shared the studio with a who's who of renowned bassists, he had never released an album, until now, with the Hall ...
Continue ReadingJoe Magnarelli on Hard Bop, Persistence, and his New York Journey
by David Bixler
For nearly forty years, trumpeter Joe Magnarelli has been a fixture on the New York City jazz scene, gracing the bandstands of icons like Brother Jack McDuff, Lionel Hampton, Toshiko Akiyoshi, and Harry Connick Jr. While playing with these legends, he continued to hone his skills in a variety of small groups, both as a sideman and a leader. His latest work, Concord, is a testament to that unyielding drive. The title, a word defined as “agreement or harmony between ...
Continue ReadingJoe Magnarelli: Hoop Dreams
by C. Andrew Hovan
As Duke Ellington would often remind us, music comes in two varieties, that which is good and that which is bad. This suggests that genre and category are really of little concern and that overall quality is really the defining factor in considering the validity of any musical expression. Taking this axiom one step further, let me suggest that good music comes in assorted varieties. On one end of the spectrum you have music brimming with complex structures and technical ...
Continue ReadingRobert Edwards: Up Swing
by Edward Blanco
Veteran trombonist, educator and bandleader Robert Edwards is a fixture of New York City jazz scene, performing in many of the jazz venues in the city and, as of this writing, becoming the newest member of the famed Vanguard Jazz Orchestra. Edwards fronts a marvelous quintet that has been performing regularly at Smalls Jazz Club for many years now. Up Swing celebrates the post-bop sounds the group is known for and covers many of the ensemble's “greatest hits from over ...
Continue ReadingNick Green: Green On The Scene
by Pierre Giroux
Nick Green's latest release, Green On The Scene, is a captivating musical journey which combines masterful instrumentation, intricate compositions and a profound sense of improvisational exploration. Accompanied by trumpeter Joe Magnarelli, pianist Jeb Patton, bassist Mike Karn and the inestimable drummer Kenny Washington, the band embarks on a set list of compositions which are at the intersection of tradition and modernity. The session opens with Charlie Parker's “Red Cross," a contrafact written over the lines of ...
Continue ReadingMike Melito: To Swing Is The Thing
by David A. Orthmann
A sense of discovery, exhilaration, and depth are not qualities often induced by recent jazz recordings that showcase some of the once innovative, now commonplace styles from the mid-to-late twentieth century. There is no shortage of less-than-stellar releases that land squarely inside the bop/hard bop continuum. One notable exception to the abundance of mere competence is the body of work of drummer Mike Melito. Beginning in the late twentieth century, Melito has led several impressive recording dates ...
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