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Joe Locke: Rev-elation

by John Kelman
Some instruments are so popular that tracing a contemporary artist's roots can be complicated--and one player's influences can be diametrically opposed to those of another. Saxophonist Eric Alexander's foundation in Dexter Gordon, for example, differs substantially from David Liebman's post-Coltrane sensibility. But with less commonplace instruments like the vibraphone, it's easier to trace a clear lineage. The influence of the late Milt Jackson is so all-encompassing that one would be challenged to find a vibraphonist who hasn't been touched by ...
Continue ReadingJoe Locke & 4 Walls Of Freedom: Dear Life

by Elliott Simon
Consider the following: A musical concept that allows for total freedom within the context of the four walls of melody, rhythm, harmony and form is brought to fruition. Each player brings to this space instrumental virtuosity, a unique timbre, and a personal sense of dynamics and coloration. The first heady energetic foray into these circumscribed confines is a success. But then terrible tragedy strikes outside the walls and we learn how Dear Life really is.
With last year's 4 Walls ...
Continue ReadingJoe Locke: On the Ascension, Part 2-2

by John Kelman
Part 1 | Part 2 Vibraphonist Joe Locke, while present on the music scene for over twenty years, has only recently begun to carve a unique place for himself with projects including woodwind player Tim Garland's Storms/Nocturnes Trio and his own 4 Walls of Freedom band. Part 1 of this interview examined Locke's development as an artist, and how he got to where he is today. Part II picks up with the beginnings of the Storms/Nocturnes Trio.
Continue ReadingJoe Locke: On the Ascension, Part 1-2

by John Kelman
Part 1 | Part 2 While vibraphonist Joe Locke has been on the scene for over twenty years, it is only in the past half decade or so that his name has begun to reach a broader audience. This is in no small part due to his participation in two seminal groups: British reed player Tim Garland's Storms/Nocturnes Trio, which also features pianist Geoff Keezer and, perhaps most importantly, Locke's current group project, 4 Walls of Freedom, which ...
Continue ReadingJoe Locke & 4 Walls of Freedom: Dear Life

by John Kelman
Following one of the most critically acclaimed records of your career can be tough; doubly so when one of the key group members has tragically passed on. Vibraphonist Joe Locke, who scored big with 2003's 4 Walls of Freedom , was faced with exactly that challenge. Between the time the album was recorded and released tenor saxophonist Bob Berg met with a tragic accident, leaving the future of the ensemble in serious question. A year later Locke has managed to ...
Continue ReadingMike Pope: The Lay of the Land

by Alexander M. Stern
In a year that has already produced a number of excellent recordings, Mike Pope's The Lay of the Land may well be one of the best. It's certainly one of the most exciting new albums this reviewer has heard in a long time. Pope, who excels on both acoustic and electric bass, has surrounded himself with major label talent for this indie label release: both Randy and Michael Brecker make appearances, saxophonist Seamus Blake appears on two tracks; guitarist Mike ...
Continue ReadingMike Pope: The Lay of the Land

by Phil DiPietro
Mike Pope plays a mean piano. He's also a noted inventor, designing and building pre-amps for the boutique bass builders Fodera. But really he's a bassist; and not surprisingly, a skilled, er... pontif--icator on both electric and acoustic. He's also a fine mainstream jazz composer and has assembled an all-star cast of musicians here, including heavy hitters the Brecker Brothers, Mike Stern, Joe Locke, Jeff Tain" Watts and his doubling double John Patitucci to assist in expressing his vision. Bloomdaddy ...
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