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Jazz Articles about Jerry Weldon

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Album Review

Jerry Weldon: The Summit

Read "The Summit" reviewed by Jack Bowers


"Keep it swinging." That is the concise credo of veteran tenor saxophonist Jerry Weldon who talks the talk and walks the walk on this galvanic concert date recorded in November 2024 at the New Brunswick (New Jersey) Performing Arts Center. The Summit is the name Weldon has bestowed on his able-bodied sextet, which he formed during the height of the Covid-19 pandemic in 2020-22. The ensemble is in splendid form here, sprinting breezily through a pair of ...

11
Radio & Podcasts

Mark Sherman, Jerry Weldon, Nicholas Payton, Maja Jaku and more

Read "Mark Sherman, Jerry Weldon, Nicholas Payton, Maja Jaku and more" reviewed by Benjamin Boddie


Today's Music--Right Now! Fantastic music by Mark Sherman, Jerry Weldon, Nicholas Payton, Maja Jaku, Chris Rottmayer, Ted Piltzecker, Nat Adderley Jr., Richard D. Johnson, Affinity Trio, Anthony Stanco, Noam Lemish, Kelsey Mines, Jimbo Ross, Lili Maljic, Anthony D'Alessandro, Grant Stewart, Michael Dease, Michael Mayo, Baltimore Jazz Collective, Nick Finzer, Christopher McBride, Sacha Boutros, Mike Clark, Charlie Porter, Johnathan Blake, and more. Playlist Mark Sherman “Love Always Always" from Bop Contest (Miles High Records) 00:00 Jerry Weldon “You Go ...

29
Album Review

Cory Weeds: Cory Weeds Meets Jerry Weldon

Read "Cory Weeds Meets Jerry Weldon" reviewed by Jack Bowers


A proper response to the statement Cory Weeds Meets Jerry Weldon could well be “it's about time!" Although widely separated geographically--Weeds is Canadian, Weldon a native New Yorker--these masters of the tenor saxophone have been brightening stages and delighting audiences at venues in the U.S. and around the world for decades. And even though they have 'met' professionally more than once, it is only now--in 2025--that Weeds and Weldon have joined forces and pooled their enormous talents to produce a ...

2
Album Review

Corey Weeds: Cory Weeds Meets Jerry Weldon

Read "Cory Weeds Meets Jerry Weldon" reviewed by Pierre Giroux


Tenor saxophone battles are a rich tradition in jazz, dating back to the vibrant days of Gene Ammons and Dexter Gordon and especially the fiery partnership of Eddie Davis and Johnny Griffin. With Cory Weeds Meets Jerry Weldon, the torch is passed with style, swagger, and an infectious swing. Weeds, the Canadian impresario and saxophonist, teams up with seasoned tenor giant Jerry Weldon, whose commanding tone and blues-inflected phrasing offer both a challenge and a source of inspiration. Their interplay ...

1
Album Review

Jerry Weldon: Those Were the Days

Read "Those Were the Days" reviewed by C. Michael Bailey


It's no longer certain what music cold be classified as “mainstream" jazz. One can argue that the genre (and all others, for that matter) have atomized to the point of each performance being considered a genre in itself (a desirable outcome to the music anarchists among us). That said, some type of classification remains useful in describing music, if for no other reason than to let a listener know that “this sounds a great deal like that." Which brings us ...

344
Live Review

Jerry Weldon at The Turning Point Cafe, Piermont, NY

Read "Jerry Weldon at The Turning Point Cafe, Piermont, NY" reviewed by David A. Orthmann


Jerry Weldon The Turning Point Cafe Piermont, New York September 22, 2008

During some inspired moments towards the end of an hour-long set, tenor saxophonist Jerry Weldon lumbered across the stage, crouched low, the bell of the horn nearly pointed at the ground. Earthbound and restless in equal measure, the recurring gesture was an apt representation of his solo style. Weldon took charge of the music in ways that weren't excessive, overblown, or indifferent ...

488
Album Review

Jerry Weldon: Well-Done!

Read "Well-Done!" reviewed by David A. Orthmann


The high-water mark of Well-Done! is Jerry Weldon's rousing, up-tempo cover of “Filthy McNasty." Barking out four bars of Horace Silver's angular, no-nonsense line, Weldon sounds as if he can bulldoze anything that gets in his way. The tenor saxophonist's single-mindedness is exhilarating. Subsequent to the entrance of Hammond B-3 organist Kyle Koehler's pumping bass line and drummer Jason Brown's sturdy beat, he takes fifteen smart, frenetic choruses, pushing and pulling phrases into shape so as to make each chorus ...


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