Jazz Articles about Jerome Harris

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The Boyé Multi-National Crusade For Harmony

by Stefano Merighi
April 16, 2021

Che trionfo per Julius Hemphill! A dispetto delle poche pagine--o righe--che le recenti storie del jazz dedicano al maestro di Fort Worth, Hemphill emerge da questo cofanetto di inediti come sassofonista-improvvisatore-compositore tra i più profondi della musica afroamericana nei decenni compresi tra gli anni '70 e '90. E questa preziosa edizione non solo torna a far luce su repertori e organici già conosciuti dai cultori, ma porta in superficie una gran mole di musica fresca, sorprendente, che ...

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Julius Hemphill: The Boyé Multi-National Crusade For Harmony

by Mark Corroto
April 3, 2021

There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune to acquire. Years ago saxophonist Tim Berne, a disciple of Hemphill, endeavored to rescue the saxophonist's Blue Boyé (Mbari, 1977) by rereleasing it in ...

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Jerome Harris: Guitar and Bass Doubler

by George Colligan
October 19, 2013

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Jerome Harris is a highly underrated musician. He's proficient doubler on bass and guitar; he's been a regular on the former with Jack DeJohnette and the latter with Sonny Rollins. Add to that he's got a wonderful singing voice, and has also recorded 4 albums as a leader. Harris initially went to Harvard with the intent of being a psychiatrist, but ended up being swayed by ...

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Jerome Harris: Rendezvous

by Mike Neely
November 28, 2007

With top notch soloists, a savvy rhythm section, and compelling compositions, what's not to like about Jerome Harris' Rendezvous? Incidentally, with the same instrumentation as Dave Holland's quintet, and the very same Steve Nelson on vibes, one has to wonder what band came first. In addition to Nelson, Rendezvous boasts Marty Ehrlich on alto sax and Arthur Baron on trombone, while session leader Harris on bass and Billy Drummond on drums provide the formidable foundation to this lively quintet.

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Bob Stewart: Then & Now

by Glenn Astarita
March 1, 2000

Bob Stewart is one of a select few who have catapulted the tuba into more of a prominent role within jazz and modern music circles. With that, Stewart enlists a mighty impressive cast of jazz musicians along with the legendary folk-blues singer/songwriter, Taj Mahal on Then & Now.

Stewart handles the bottom end without the utilization or perhaps, requirements of a bassist as he drives the band forward on “Hambone” which is a New Orleans style R&B/Funk number featuring brassy ...