Jazz Articles about Jed Levy
About Jed Levy
Instrument: Saxophone
Article Coverage | Calendar | Albums | Photos | Similar ArtistsJed Levy: One Night At The Kitano
by George Kanzler
Some live jazz albums transport the listener. If you shut your eyes, you can picture the dim lights of the candles on the tables, the clinking sound of ice cubes falling into glass tumblers... you might even find yourself looking around for someone to take your drink order. One Night at The Kitano makes you feel like you are out at the midtown jazz spot. Joined by Bill Mays on piano, Ugonna Okegwo on bass and Billy ...
read moreJed Levy: Evans Explorations
by Elliott Simon
Explorations (Riverside, 1961) is one of two landmark studio recordings from the Bill Evans trio that, through chordal voicings, a classically-based style and egalitarian instrumental interplay, moved the jazz piano trio toward impressionism and away from a rhythmic approach. It still sounds amazingly contemporary and the task that tenor saxophonist Jed Levy has set for himself in his explorations of a piece of the Evans digest using his tenor trio is a daunting one. Levy succeeds remarkably well through his ...
read moreJed Levy: Gateway
by Budd Kopman
Some players seem to enjoy the adventure of not knowing with whom they are going to play with next, while others would rather develop the interpersonal communication that can only come with time. Since jazz is, at its core, an improvisational art, playing in the moment is the ideal, with different kinds of music requiring different musical reflexes. Jed Levy, as demonstrated on the most attractive Gateway, lives in the mainstream world, but one that is filled ...
read moreJed Levy: Gateway
by Terrell Kent Holmes
Listening to Gateway, by tenor man Jed Levy, is like walking along a familiar street and being pleased by previously unnoticed nuances in the architecture of a building. Levy's tunes are small samples of exploration. With a different number of bars, a key change or a different tempo, Levy takes the listener to unexpected places. The title cut defines Levy's approach to playing and composing. Time signatures change, various keys are explored as they rise, fall and ...
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