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Album Review

Jason Stein: Anchors

Read "Anchors" reviewed by Giuseppe Segala


Il clarinetto basso vanta nel jazz contemporaneo una rosa di solisti eccellenti, a partire da Eric Dolphy, che ha letteralmente inventato un modo di interpretare lo strumento, di valorizzarne colori e incisività espressiva. Però la sua frequentazione, con lo stesso Dolphy e con personalità quali Michel Portal, John Surman, Vinny Golia, Marty Ehrlich, Don Byron, si è sempre affiancata ad altri strumenti, alla ricerca di una duttilità tipica degli esploratori di tavolozze timbriche aperte e audaci. Tra i rari musicisti ...

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Album Review

Jason Stein: Anchors

Read "Anchors" reviewed by Jerome Wilson


Six years after releasing his previous album, bass clarinetist Jason Stein returns with a new trio recording that goes outside the realm of conventional jazz. He has been undergoing healing therapy in those six years to combat physical injury and this album is inspired by that process. Aided by bassist Joshua Abrams and drummer Gerald Cleaver, Stein constructs trio music that is both meditative and explosive, with the three musicians tightly focused on their collective sound. Stein's playing ...

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Album Review

Jason Stein: Anchors

Read "Anchors" reviewed by Mark Corroto


Jason Stein would never in a million years characterize Anchors as his variation of A Love Supreme (Impulse!, 1965). But a comparison can be made. John Coltrane's quartet recording was the most personal and profound statement of his career. The same can be said for Stein and Anchors. He had taken time off from recording and performing due to some chronic pain that plagued him. Stein set about diving deeply into the body, studying massage, specifically trigger point therapy, practicing ...

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Album Review

Jason Stein / Damon Smith / Adam Shead: Volumes & Surfaces

Read "Volumes & Surfaces" reviewed by Glenn Astarita


Jason Stein, a saxophonist with a penchant for pushing boundaries, brings his avant-garde sensibilities and razor-sharp technique to the fore in Volumes & Surfaces. Known for his dexterous command of the bass clarinet, Stein has made a name for himself in the jazz world with his innovative approach and fearless improvisation. His contributions to this album are no exception, as he seamlessly blends precision with spontaneity, creating a dynamic and engaging listening experience. Stein's work with the trio, alongside bassist ...

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Album Review

Jason Stein / Marilyn Crispell / Damon Smith / Adam Shead: spi​-​raling horn

Read "spi​-​raling horn" reviewed by Glenn Astarita


spi-raling horn by these genre-destroying avant-garde jazz artists is a whirlwind journey through the vast landscapes of jazz, where the boundaries between tradition and innovation blur into a kaleidoscope of ultrasonic exploration. This album is not just a collection of tracks, but a sonic crusade led by a quartet of virtuosos who wield their instruments like sorcerers conjuring spells. From the start, listeners are transported into a realm where bass clarinet giant Jason Stein with legendary piano great ...

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Radio & Podcasts

Jason Stein, Chet Baker and Ingrid Laubrock Plus a Tribute to Ahmad Jamal

Read "Jason Stein, Chet Baker and Ingrid Laubrock Plus a Tribute to Ahmad Jamal" reviewed by Jerome Wilson


This show, from May, features a tribute to the late Ahmad Jamal, plus old and new music from Jason Stein, Ingrid Laubrock, Chet Baker, and others. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Courtney Pine “Sister Soul" from Devotion (Telarc) 00:48 Marc Cary “Equilibrium" from Life Lessons (Self-Produced) 5:08 Cannonball Adderley “One Man's Dream" from Cannonball Plays Zawinul (Capitol) 8:15 ...

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Album Review

Natural Information Society: Since Time is Gravity

Read "Since Time is Gravity" reviewed by Danen Jobe


The concept of trance is one of the oldest in the world. Many older music forms embraced trance for their rituals. One is the Gnawa musical tradition originating in Kano, Nigeria and Morocco, which uses double and triple notes repeated sometimes for hours to induce a religious state while the singer sings stories of spirits. It is played on a gimbri (aka sintir or hajhuj), a three stringed instrument featuring one short and two long goat gut strings over a ...


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