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Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by Ian Patterson
It would have been inconceivable for Miles Davis in his post-sabbatical, 1980s reincarnation to have been billed as “an extra added attraction" on any festival or concert hall billing, but that's how it was when the trumpeter--already a legend--played his first ever gigs at the Filmore East, supporting Neil Young & Crazy Horse and the Steve Miller Band in March 1970. The initiative to stage Davis at the hallowed rock venue came from CBS President Clive Davis, no doubt with ...
Continue ReadingMiles Davis: Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by Doug Collette
Intensely intoxicating as much as it is wholly hypnotic, Miles Davis Live at the Fillmore becomes increasingly so through the course of its four compact discs. More than doubling the playing time of the original four-sided vinyl release, The Bootleg Series Vol. 3 posits an argument the band(s) of this era were among the finest ever led by the man with the horn. If that sounds hyperbolic, it's difficult not to rhapsodize about this archive series in general ...
Continue ReadingMiles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by Maurizio Comandini
Finalmente la Sony Legacy pubblica ufficialmente e integralmente i quattro concerti del gruppo di Miles Davis al Fillmore East, mitico teatro posto più o meno all'incrocio fra la Sesta Strada Est e la Seconda Avenue a New York, nell'East Village. Era la metà del mese di giugno del 1970, il capolavoro Bitches Brew era stato pubblicato da pochi mesi e il gruppo era in forma straordinaria, a cominciare dal leader. In realtà, questi concerti erano stati immediatamente ...
Continue ReadingMiles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by John Kelman
By the time Bitches Brew (Columbia) was released in April, 1970—and despite receiving a 5-star review in Downbeat Magazine—trumpeter Miles Davis was already under fire from mainstream jazz critics as having “sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his increasingly liberated second great quintet of the 1960s. Sure, there were rock rhythms and, perhaps more disturbingly to the delicate ears of its detractors, ...
Continue ReadingJack DeJohnette: Painting With Sticks
by George Colligan
The following interview is reprinted from George Colligan's blog, Jazztruth.The name Jack DeJohnette is synonymous with modern jazz drumming. Many know him for his years spent with the Keith Jarrett Trio, but he first came to prominence with Charles Lloyd and Miles Davis in the '60s. He's always in demand as a sideman--although you wouldn't call Jack DeJohnette to merely be a sideman--his musical contribution to any project is such that he is always a collaborator. He has ...
Continue ReadingChicago Jazz Festival 2013
by Mark Corroto
Chicago Jazz FestivalChicago, ILAugust 29-September 1, 2013Chicago is...You get the feeling it is a jazz city when, waiting in line at the airport, you overhear a conversation about Anthony Braxton's first meeting with Derek Bailey. Then, your suspicions are confirmed in the taxi, on the drive to the 2013 Chicago Jazz Festival when the cabbie engages you in a discussion of the major works of Eddie Harris and Gene Ammons. From Louis Armstrong's travels up ...
Continue ReadingSpecial Edition
by John Kelman
With drummer/keyboardist Jack DeJohnette entering his eighth decade on planet earth, he's managed to accomplish what few other drummers have. Recipient of the 2012 NEA Jazz Masters Award, there are few jazz drummer s alive today who can cite as many recordings as the Chicago-born DeJohnette can, nor are there many who have been on such a diverse stylistic cross-section. DeJohnette, now a legend himself, was picked up by a large number of then-high profile musicians in the early days ...
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