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Jazz Articles about Ivo Perelman

2
Album Review

Ivo Perelman - Dave Burell - Bobby Kapp: Trichotomy

Read "Trichotomy" reviewed by Hrayr Attarian


Intrepid saxophonist Ivo Perelman is a master improviser who has the knack of engaging others of a similar mindset to create provocative music. On his third release of 2023, the stimulating Trichotomy, he joins forces with the equally innovative pianist Dave Burrell with whom he recorded a duo session a few years back. Versatile drummer Bobby Kapp, another idiosyncratic artist, completes the trio which stretches out on two long, dynamic, multilayered pieces. “Part One" starts off with a ...

3
Album Review

Ivo Perelman: Artificial Intelligence

Read "Artificial Intelligence" reviewed by Jeff Schwartz


Do not be misled by the title: no bots or algorithms were involved in creating this album. While there have been fascinating experiments in improvisation with interactive software by George Lewis, Richard Teitelbaum and others, Artificial Intelligence is just under an hour of spontaneous human interaction by two of the most prolific and uncategorizable improvisers in New York. This is a studio recording of free improvisation, from January 2022. There are no compositions, and if there are ...

2
Album Review

Ivo Perelman and Elliott Sharp: Artificial Intelligence

Read "Artificial Intelligence" reviewed by Hrayr Attarian


Saxophonist Ivo Perelman has mastered the art of duets. In addition to multiple collaborations with pianist Matthew Shipp, in the third decade of the 21st century he released two box-sets of one-on-one recordings, the first with pianists and the second with other woodwind players. On Artificial Intelligence he is paired with composer and guitarist Elliott Sharp for an entirely improvised four-part set of provocative music. The versatile Sharp, an experimenter par excellence, is immediately in sync with Perelman ...

5
Album Review

Ivo Perelman: Molten Gold

Read "Molten Gold" reviewed by Hrayr Attarian


Saxophonist Ivo Perelman is a restless innovator, and his recorded output is as inventive as it is prolific. On the exhilarating Molten Gold he explores a new sonic texture by playing with the equally idiosyncratic trombonist Ray Anderson. In addition to Anderson, the quartet includes another Chicago native, drummer Reggie Nicholson who developed his unique sound with the Association for the Advancement of Creative Musicians (AACM). Frequent Perelman collaborator, guitarist Joe Morris, here playing double bass, completes the ensemble. The ...

4
Album Review

Ivo Perelman: Molten Gold

Read "Molten Gold" reviewed by Mike Jurkovic


A tactile, umbilical cord tension binds you to the slithery movements advanced on Molten Gold, the umpteenth in a slew of hard-core free jazz releases, one of them being the twelve disc set Reed Rapture In Brooklyn (Mahakala, 2022), from the generative mind and horn of saxophonist Ivo Perelman. Recorded at ParkWest Studio by Jim Clouse, Perelman, in full form and fever, assembles fellow rogues trombonist Ray Anderson, bassist Joe Morris and drummer Reggie Nicholson for over eighty minutes of ...

8
Album Review

Perelman / Shipp / Cosgrove: Live in Carrboro

Read "Live in Carrboro" reviewed by Mark Corroto


It is rare that we get a live recording from saxophonist Ivo Perelman and pianist Matthew Shipp. Of their 40-plus discs, the majority have been studio productions. This Live In Carrboro date from November 4, 2022 shares the same line-up as Live In Baltimore (Leo Records, 2017) with the addition of drummer Jeff Cosgrove. Recommended to Perelman by Shipp, Cosgrove is more of a colorist than a free player. He has previously released an album of Paul Motian covers and ...

3
Album Review

Ivo Perelman / Ray Anderson / Joe Morris / Reggie Nicholson: Molten Gold

Read "Molten Gold" reviewed by Chris May


Lovingly described by one critic as “a leather-lunged monster," reviews of saxophonist Ivo Perelman's albums typically attract words such as honking, squawking, squealing and apocalyptic. Perelman is not interested in the current vogue for creating safe spaces. He is not the sort of free-improv player one would, in the normal course of things, recommend to AAJers wanting to dip a neophyte toe in the genre. But Molten Gold is recommended. And not just to newbies, but to ...


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