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Jazz Articles about Hans Glawischnig
Hans Glawischnig: Panorama

by John Kelman
Despite the global nature of today's music, it might seem odd that a bassist named Hans Glawischnig has built a considerable reputation in the arenas of Central/South American-inflected jazz. But while the Austrian-born, New York-resident Glawischnig has indeed, spent considerable time with contemporary players stretching the boundaries of their cultures like pianist Luis Perdomo and alto saxophonist Miguel Zenón, as well as with the more traditional percussionist Ray Barretto, he's also worked on straight-ahead projects with artists like saxophonist James ...
Continue ReadingHans Glawischnig: Panorama

by Mark F. Turner
It would be a misnomer to refer to bassist Hans Glawischnig as just a rising star. With an impressive body of work (albeit as a sideman) since moving to New York in the early nineties, the Austrian native has provided a firm foundation for artists including Bobby Watson's Urban Renewal Band, saxophonist Paquito D'Rivera and vibraphonist Stefon Harris. Glawischnig's attributes include power and melodism in the vein of such players as Dave Holland and Drew Gress. But ...
Continue ReadingStevie Holland: More Than Words Can Say

by Jim Santella
Words are not sufficient to describe the bright spirit that comes from Stevie Holland's latest release. You've got to hear her to understand the many qualities that make up this winning performance. She combines a highly accurate vocal presentation with deeply felt expression and comes up with the best of both worlds. While communication is her forte, Holland also ensures that we're treated to a musical performance of the highest caliber.
The album begins with Only You, which ...
Continue ReadingYosvany Terry Cabrera: Metamorphosis

by AAJ Staff
Intersections between Afro-Cuban music and jazz tend to be characteristically raw and visceral, drum-heavy and tilted toward bodily motion. This particular flavor of Latin jazz very rarely approaches the level of cosmopolitan integration, intellectual consistency and postmodern literacy that marks Metamorphosis. 34 year-old saxophonist Yosvany Terry Cabrera, who grew up in Camaguey, Cuba, wrote seven of the eight pieces on the record, for which he provides helpful background in the extended bilingual liner notes. His compositions effectively mirror his leadership, ...
Continue ReadingYosvany Terry: Metamorphosis

by James Taylor
Yosvany Terry Cabrera has been turning heads in the New York jazz community since he arrived in the city in 1999. The Cuban-born musician's stateside debut will be the first introduction to this rising star for many, however. Metamorphosis is a stellar debut from a talented young saxophonist and master chekere player whose credentials speak for themselves and whose compositions are fresh and vibrant.Frequent collaborators Avishai Cohen (trumpet), Mike Moreno (guitars), Venezuelan-born Luis Perdoma (piano) and Dafnis Prieto ...
Continue ReadingYosvany Terry Cabrera: Metamorphosis

by Matt Cibula
When I was a teenager in Oregon, I used to listen to lots of fusion and jazz-funk on a great radio station out of Portland. I didn't exactly go around telling anyone this, but I liked it just fine all the same. I felt a little better later, when all that stuff got sampled by hip-hop producers and I realized that there had been a lot of little Bob James nerds like me.
I say this because this album by ...
Continue ReadingMiguel Zenon: Jibaro

by Brian P. Lonergan
Jibaro consists of ten original compositions by the young Puerto Rican alto saxophonist Miguel Zenón. The session's inspiration comes from the music of jibaros--Puerto Rican peasants--but there's nothing simplistic about the material Zenón has penned for his quartet, which includes pianist Luis Perdomo, bassist Hans Glawischnig, and drummer Antonio Sánchez. The forms of Zenón's compositions tend to be complex, and it's not apparent at first listen how they link directly to the original music. The style of Jibaro, ...
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