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About Hank Mobley

21

My Blue Note Obsession

Hank Mobley and his All Stars – Blue Note 1544

Read "Hank Mobley and his All Stars – Blue Note 1544" reviewed by Marc Davis

by Marc Davis

I think I've hit a wall. I love hard bop. I love Blue Note. But all of a sudden, the thrill is gone. This week, I'm listening to Hank Mobley and his All Stars, a 1957 album that could never be accused of false advertising. This truly is an all-star hard bop band: Hank Mobley on tenor, Milt Jackson on vibes, Horace Silver on piano, Art Blakey on drums and Doug Watkins on bass. This is, ...

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21

Genius Guide to Jazz

A Brief, Yet Largely Incomprehensible, History of Blue Note

Read "A Brief, Yet Largely Incomprehensible, History of Blue Note" reviewed by Jeff Fitzgerald, Genius

by Jeff Fitzgerald, Genius

In future generations, when the story of Our Music is told, there will certainly be a short list of absolutely necessary items which must be mentioned for any complete understanding of the birth and growth of Jazz. It is almost easier to determine what does not belong on the list than what does. To narrow it down to the essentials, I pictured the Cliff's Notes of the Reader's Digest Condensed version of Jazz history. To that end, I ...

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9

Album Review

Sonny Clark: Dial "S" For Sonny

Read "Dial "S" For Sonny" reviewed by Greg Simmons

by Greg Simmons

Original copies of Blue Note 1570--Dial “S" For Sonny--are among the rarer Blue Note records, often changing hands for thousands of dollars for even a mediocre copy. That's an awful lot of scratch for a fifty-six year old piece of pressed vinyl and a cardboard sleeve. Fortunately, there are better ways to hear pianist Sonny Clark's debut recording for the fabled label. The Music Matters series of two-disk, 45 rpm vinyl records is winding down after close to one hundred ...

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5

Extended Analysis

The Feelin's Good

Read "The Feelin's Good" reviewed by Greg Simmons

by Greg Simmons

The mists of time have a way of obscuring the motives behind people's decisions. “What were they thinking?" and “It must have seemed like a good idea at the time" must be among the most universal human sentiments. In the music business, a session gets recorded, and often it gets released, but occasionally it doesn't. Sometimes a tape sits on a shelf collecting dust for fifty years, leaving later-day musical archeologists to ponder why. Maybe that session gets cut up, ...

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639

Extended Analysis

Hank Mobley: Hank Mobley (On Wax)

Read "Hank Mobley: Hank Mobley (On Wax)" reviewed by Matt Marshall

by Matt Marshall

Hank Mobley Hank Mobley Blue Note / Music Matters 2009 (1958)

Since round about fall 2007, Music Matters has been in the business of releasing classic Blue Note records from the 1950s and 1960s, many currently unavailable on CD, on 180-gram vinyl pressings made at 45-rpm (necessitating a two-disk format). The idea is to provide jazz enthusiasts with archival-quality editions of these historic and musically vital sessions. They include a renewed focus ...

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434

Book Review

Workout: The Music of Hank Mobley

Read "Workout: The Music of Hank Mobley" reviewed by Nic Jones

by Nic Jones

Workout: The Music of Hank Mobley Derek Ansell Hardcover; 162 pages ISBN: 978 09550908-8-2 Northway Books 2008

As a tenor saxophonist, Hank Mobley committed the cardinal sin of not adhering to any established stylistic aesthetic, for all of his association with the hard bop idiom. Author Derek Ansell rightly makes much of this in his book, the first to be devoted to Mobley. For if jazz is an ...

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362

Album Review

Hank Mobley: Hank Mobley

Read "Hank Mobley" reviewed by Samuel Chell

by Samuel Chell

Count yourself fortunate to get your hands on this session, originally released on Blue Note, and not simply for the incredibly hip photo of Mobley on the cover (though I'll admit that's what initially hooked me). On this Toshiba EMI International reissue, the liner notes are in Japanese, the audio is merely “good" (undoubtedly a Van Gelder remastering would provide more presence to both piano and drums), and the front line is probably unknown to many listeners. But in terms ...

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