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Jazz Articles about Gwilym Simcock

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Album Review

Simcock Garland Sirkis: Lighthouse

Read "Lighthouse" reviewed by John Kelman


With Lighthouse, saxophonist Tim Garland, pianist Gwilym Simcock and percussionist Asaf Sirkis make the move to completely egalitarian collective. It's also the first album to feature the trio without any additional guests. Garland's Lighthouse Trio first came together on the saxophonist's If the Sea Replied (Sirocco, 2005), an ambitious song cycle that--in addition to including mates from his impro-folk Lammas and Acoustic Triangle, which by that time also featured Simcock--was scored for members of the Northern Sinfonia Orchestra. Libra (Global ...

Album Review

The Impossible Gentlemen: The Impossible Gentlemen

Read "The Impossible Gentlemen" reviewed by AAJ Italy Staff


Allora: ci sono dischi dei quali si potrebbe o dovrebbe (?) scrivere pagine e altri no. Questo è uno di quelli sul quale si dovrebbe scrivere molto. Perché è un disco di una sorta di super-gruppo del jazz moderno, composto democraticamente da due americani e due britannici di “alte sfere". Perché un disco così esce ormai di rado dalle presse delle case discografiche. Perché la band, poi - nelle esibizioni live - travolge tutto e tutti con concerti sbalorditivi. Perché ...

263
Album Review

Gwilym Simcock: Good Days At Schloss Elmau

Read "Good Days At Schloss Elmau" reviewed by Bruce Lindsay


The world of jazz is currently enjoying a surfeit of great piano players, and the ACT label is home to some of the most innovative: musicians such as Michael Wollny of [em], Yaron Herman and Danilo Rea. Gwilym Simcock is the latest addition to the ACT roster with his solo Good Days At Schloss Elmau, a beautifully creative collection of original compositions that further establishes the Welshman as one of the most inventive pianists in jazz. Simcock ...

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Take Five With...

Take Five With Gwilym Simcock

Read "Take Five With Gwilym Simcock" reviewed by AAJ Staff


Meet Gwilym Simcock: I started the piano at the age of three, and since then all I've ever wanted to do is make music. My father taught me from a very early age, and then I attended the junior department of Trinity College of Music in London and then Chetham's School of Music for 9 years. During that time studying as a classical musician I was introduced to Jazz and became instantly hooked after hearing some Keith Jarrett and Pat ...

Album Review

Gwilym Simcock: Blues Vignette

Read "Blues Vignette" reviewed by AAJ Italy Staff


Ancora giovanissimo (ha da poco compiuto ventinove anni), Gwilym Simcock è una delle promesse del jazz europeo. In questo ambizioso doppio album - che arriva dopo Perception, il suo esordio come titolare, e numerosissime collaborazioni - il pianista inglese scatta un'istantanea del suo attuale e assai poliedrico profilo artistico. Infatti, già affiancare ai tradizionali contesti in solo e in trio una suite in duo con una violoncellista classica (Cara Berridge, membro dell'ensemble cameristico Sacconi Quartet) testimonia il suo marcato interesse ...

1,385
Interview

Gwilym Simcock: It's All Just Music

Read "Gwilym Simcock: It's All Just Music" reviewed by Ian Patterson


Pianist/composer Gwilym Simcock has achieved a lot in a short time. His debut album as leader, Perception (Basho, 2007) was roundly praised as heralding the arrival of a significant new talent. Prior to that Simcock had captured attention for lighting up Bill Bruford's Earthworks, Tim Garland's Lighthouse Trio and Malcolm Creese's Acoustic Triangle. Awards and commissions began to roll in accompanied by a certain amount of hype; Chick Corea labeled him a “creative ...

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Extended Analysis

Gwilym Simcock: Blues Vignette

Read "Gwilym Simcock: Blues Vignette" reviewed by Ian Patterson


Gwilym Simcock Blues Vignette Basho 2009

Pianist/composer Gwilym Simcock sees the 2CD set Blues Vignette as a musical snapshot capturing but one stage of his musical development. In fact, the album is more like a lovingly crafted self portrait which reveals both the musical bloodline and which hints at future endeavors.

The first CD features Simcock solo and for 20 minutes in a duo performing a suite for cello and piano. Stripped ...


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