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Dayna Stephens Quartet: Right Now! Live At The Village Vanguard

by Dan McClenaghan
New York City's Village Vanguard has a history. Founded by Max Gordon in 1935 and, after his passing in 1989, operated by his wife Lorraine until her death in 2018, the venue became famous for launching jazz careers and hosting the recordings of more than a hundred jazz albums, including saxophonist Sonny Rollins' A Night At The Village Vanguard (Blue Note, 1957), pianist Bill Evans' Sunday At The Village Vanguard (Riverside, 1961) and saxophonist John Coltrane's Live At The Village ...
Continue ReadingKurt Rosenwinkel Trio: Angels Around

by Geno Thackara
However much Kurt Rosenwinkel has audaciously wandered away from familiar tracks in his career, the spirit of jazz has always stayed central to his roots and his playing. For every surprising exploration such as the electronic Heartcore (Verve, 2003) or the richly dense Caipi (Heartcore, 2017), there's been a relatively straightforward jam or standards date for more traditionalist listeners to appreciate. While Angels Around is clearly one of the more traditional ones even at a glancea simple guitar trio playing ...
Continue ReadingKurt Rosenwinkel Trio: Angels Around

by Mark Sullivan
Jazz guitarist Kurt Rosenwinkel's previous album Caipi (Heartcore Records, 2017) was unique in his discography. Not just original musicthat was true of many of his previous recordsbut Brazilian influenced, and featuring his vocals. This set is a call back to the Kurt Rosenwinkel Standards Trio's Reflections (WOMMUSIC, 2009): a selection of mostly modern jazz standards, played by a guitar trio. Here the trio includes Italian bass guitarist Dario Deidda and American drummer Gregory Hutchinson (whose relationship with Rosenwinkel extends back ...
Continue ReadingKurt Rosenwinkel Trio: Angels Around

by Phillip Woolever
In addition to recognition among modern jazz's most talented guitarists, Kurt Rosenwinkel has earned a reputation as a thoughtfully skilled interpreter of jazz standards. This stirring release should deservedly elevate his status to even higher levels as bassist Dario Deidda and drummer Greg Hutchinson add punch and precision to every piece. Rosenwinkle revisits classic compositions from six of jazz's most recognized talents, and adds a pair of new songs. While traditional purists may have issues with the transfer of more ...
Continue ReadingJoshua Redman: Compass

by Jeff Stockton
No jazz musician with Joshua Redman's pedigree, chops and talent wants to be tagged as cautious" or cerebral," but that was Redman's reputation, perhaps right up until Back East was released in 2007. That CD, a return to straight-ahead acoustic playing after a brief digression, found the saxophonist fronting a few different rhythm sections (and standing next to a couple of guests) and generated natural comparisons to Sonny Rollins' classic Way Out West. Compass simultaneously extends the ...
Continue ReadingJoshua Redman: Compass

by Doug Collette
Joshua Redman has made some fine albums in the past, including Timeless Tales (For Changing Times) (Warner Bros., 1998), Passage of Time (Warner Bros., 2001) and Spirit of the Moment Live (Warner Bros., 1995), but he's never recorded one with such clarity of purpose as the self-produced Compass. In keeping with the dual meaning of the title word (alternately a verb to accomplish as well as the noun as a tool of direction) the saxophonist leads two different trios into ...
Continue ReadingJoshua Redman: Compass

by Chris May
Like its predecessor Back East (Nonesuch, 2007), saxophonist Joshua Redman's Compass invites comparisons with Sonny Rollins' totemic acoustic trio outing Way Out West (Riverside, 1957), whose instrumentation it reflects and whose influence Redman has acknowledged.
Another Rollins album which springs to mind, though more for its title than its structure, is Saxophone Colossus (Riverside, 1956); for with Compass, Redman, like Rollins 53 years earlier, has produced the most singular album of his career so far. Redman's previous acoustic ...
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